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The Historic New Orleans Collection
A bustling outdoor art market scene with people admiring and browsing paintings on display. A large tree with broad leaves towers over the setup. Children play near a cart in the foreground, and greenery forms the background.

Complementary Visions of Louisiana Art

The Laura Simon Nelson Collection at The Historic New Orleans Collection

with essays by William H. Gerdts, George E. Jordan, and Judith H. Bonner

A richly illustrated exhibition catalog with masterworks of Louisiana art from the 19th and 20th centuries

Cover of Complementary Visions of Louisiana Art features a lush, painted landscape with trees and oranges. The text highlights the Laura Simon Nelson Collection at the Historic New Orleans Collection.

Complementary Visions of Louisiana Art

This richly illustrated exhibition catalog presents masterworks of Louisiana art from the 19th and 20th centuries. Featured artists include Jacques Guillaume Lucien Amans, François Bernard, George David Coulon, and brothers William and Ellsworth Woodward.

The catalog also features decorative objects such as Newcomb pottery, crafted at New Orleans’s Newcomb Art School at the turn of the 20th century and prized by collectors for its natural motifs.

Portrait of a person with curly auburn hair wearing a vivid green blouse. The background is a mix of muted grays and greens, and the subject gazes to the side with a neutral expression.

“Complementary Visions of Louisiana Art has to convince the most jaded art critics that Louisiana art deserves serious attention at the most sophisticated level and that it has played an important role in our nation’s cultural history.”

A historical painting depicts a bustling market scene at sunset. People, horses, and carriages fill the dirt streets. Buildings with signs line the background, while tents and smoke add atmosphere to the vibrant, active environment.
A painting of a bright, sunny courtyard featuring a Gothic-style church with a large wooden cross in front. The scene is surrounded by lush trees and ornate stone buildings, creating a serene and picturesque atmosphere.

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I Am the Black Woman

A rare series of 14 linocuts by Elizabeth Catlett carries her manifesto on behalf of Black American women.

A whimsical illustration of two cartoon characters. One has wild white hair, large glasses, and hoop earrings, while the other sports a pointy nose and striped shirt. They appear lively and eccentric against a bright yellow background.

Bunny Matthews Archive

In a substantial new acquisition, the archive of a distinctly New Orleans cartoonist comes to HNOC.

A vibrant, surreal painting with a woman in patterned clothing holding a fish and a kettle. A crowd of diverse people surrounds her, along with abstract elements like a clown face, pelican, and flag, set against a backdrop of buildings and swirling colors.

Homage to the French Quarter

The bohemian scene of midcentury New Orleans comes to life in this exciting acquisition.

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A painting depicts a street scene with two people. One sits on a bench outside a wooden building with a louvered facade. Another person stands near a doorway. The architecture features balconies and red-tiled roofs under a cloudy sky.
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French Quarter Life: People and Places in the Vieux Carré

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A vintage movie poster for Hush... Hush, Sweet Charlotte featuring a woman in a yellow dress dancing with a man in a suit. A ghostly choir stands in the background. The poster includes stylized text and a dramatic image of a womans face on the side.
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Book cover for "Bunny Matthews: His Life, Art, and Obsessions."

Bunny Matthews: His Life, Art, and Obsessions

by Alison Fensterstock and Michael Tisserand

Cover of a book titled John Clemmer: A Legacy in Art, featuring an abstract landscape painting with trees and muted colors. The Historic New Orleans Collection is mentioned at the bottom. The background is a textured brown.

John Clemmer: A Legacy in Art

with essays by Judith H. Bonner, John Ed Bradley, and David Clemmer

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