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The Historic New Orleans Collection

Cloistered with a Camera

A black and white photo of students and nuns in the academy courtyard at the Dauphine Street Convent in Uptown New Orleans, taken from an elevated position. A walkway crosses the center of the image with a lawn in the foreground and trees in the background.

Cloistered with a Camera

The Photography of Mother St. Croix

Discover the pioneering photography of Mother St. Croix in this exhibition commemorating the 300th anniversary of the Ursuline nuns in New Orleans.

August 6 to December 12, 2027

520 Royal Street 
Tricentennial Wing, 3rd Floor

“Mother St. Croix had a heart as big as herself. And her photography was an expression of her devotion to people and to the convent.”

To commemorate the 300th anniversary of the arrival of the Ursuline nuns in New Orleans, Cloistered with a Camera highlights the pioneering photography of Mother St. Croix (1854–1940), an Ursuline sister who documented life behind convent walls from the 1880s into the 1920s. One of the earliest known female photographers to capture daily life in New Orleans, St. Croix honed her craft as part of her service, photographing the convent, school, and grounds in artfully composed shots and tableaux. Remarkably, she did so as a cloistered nun—one who does not leave the convent.

Black and white photo of an elevated view looking down to uniformed pupils standing in groups or walking along a tree-lined path toward a shrine at Ursuline Academy and Convent on Dauphine Street. Several Sisters are shown among the students. The Mississippi River can be seen beyond the tall wooden fence in the distance.

St. Croix’s images offer an exceptional view inside her cloistered community at the Dauphine Street convent, where the nuns operated a girls’ school and an orphanage between 1824 and 1912. Undaunted by heights and heavy equipment, St. Croix expertly photographed the convent grounds and daily tasks of the nuns, students, and orphans from a variety of viewpoints. Often used as promotional material, her images were reproduced in books and postcards and shown at world’s fairs in 1893 and 1904. St. Croix’s pictures are some of the only photographs of the Ursuline convent at its bucolic Ninth Ward location along the Mississippi River. That site was torn down in 1912 when the Ursulines moved into a new location uptown, which is still in operation today, and St. Croix was there to document the transition.

Black and white photo showing a view of four Sisters conversing on the lawn before the main building of the Ursuline Convent on Dauphine Street in the Ninth Ward.
Black and white photo showing a close view of young pupils jumping rope beneath the veranda at the old Ursuline Convent on Dauphine Street. In the background, two young women pass a cat to one another. To the right, a young woman with a blindfold on reaches out toward a student seated on a bench.

Cloistered with a Camera includes roughly 90 images by Mother St. Croix displayed alongside the objects used to make and reproduce them—her cameras, glass plate negatives, lantern slides, and printing plates, as well as a photograph album, books, and postcards. Developed with input from the Ursuline Academy and Convent, the show will also feature student work from the newest generation of Ursuline students, honoring the order’s commitment to education. Rarely photographed herself, St. Croix emerges as a symbol of the Ursulines’ legacy, a woman whose vocation took her to artistic heights while remaining grounded in the daily work and devotion of cloistered life. 

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