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A woman in a dark dress poses against a marble wall, holding a sheer fabric. The textured wall has swirling patterns, and the fabric creates soft, flowing lines. The setting appears elegant and artistic.

Haunter of Ruins

The Photography of Clarence John Laughlin

with essays by Jon Kukla, John H. Lawrence, Andrei Codrescu, Ellen Gilchrist, Shirley Ann Grau, Jonathan Williams, Albert Belisle Davis, and John Wood

A stunning volume featuring 65 master images by the celebrated photographer and eight accompanying essays

A black and white image of a dilapidated house with a figure in the attic window. The text reads Haunter of Ruins: The Photography of Clarence John Laughlin. There are broken shutters in the foreground.

Haunter of Ruins: The Photography of Clarence John Laughlin

Laughlin’s work is often called surreal because of his ghostly double exposures . . . or his signature use of those shadowy figures of desire and fear that haunt his photographs of the graves and ruined plantations of Louisiana.

Clarence John Laughlin (1905–1985), who spent most of his career in and around New Orleans, was dubbed “Edgar Allan Poe with a camera.” His images capture the weathered elegance and dreamy decadence of Louisiana’s buildings, streets, and cemeteries. This stunning volume brings together 65 master images by the celebrated photographer and essays by eight distinguished writers—Jon Kukla, John H. Lawrence, Andrei Codrescu, Ellen Gilchrist, Shirley Ann Grau, Jonathan Williams, Albert Belisle Davis, and John Wood. Haunter of Ruins showcases classic and previously unpublished photographs complemented by Laughlin’s own words, as well as those of his correspondents.

The limited edition of Haunter of Ruins combines the bookcrafter’s art with the beauty of Laughlin’s photographs. The edition of 100 numbered copies, presented in a handsome slipcase, celebrates Laughlin’s genius and his mastery of photography. Under Loops of Moss (1940), a photoprint from an original Laughlin negative, is included with purchase.

A black and white photograph shows a womans face with a serene expression. Her head is tilted slightly back and she is draped in a sheer veil. An intricate necklace adorns her neck, and a stone wall is faintly visible in the background.
A black and white image of a shrine with mannequin limbs displayed on the walls. A mannequin dressed as a woman sits beside crutches near an altar. The altar is draped with a cloth, adorned with flowers and candles, and a religious painting is above it.

Praise for Haunter of Ruins

“Laughlin’s surreal vision profoundly influenced not only fellow photographers but also writers and artists, as evident in the fine essays by Andrei Codrescu, Ellen Gilchrist, Shirley Ann Grau, and others included in this superb volume. Laughlin was a man of words as well as pictures, and his writings on photography and the modern world's mechanization of life eloquently illuminate his artistic intentions.”

Black and white image titled Dream of Pearls by Clare Jota Laughar, 1940. A mannequin head and hand adorned with a pearl necklace rest on textured fabric, creating an ethereal, artistic composition.

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A person stands outdoors, holding a translucent fabric over their head against a textured wall. The shadow casts an intricate pattern on the wall. A potted plant and some grass are visible in the foreground.

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Through his dreamlike black-and-white images, the surrealist Louisiana photographer explored, amplified, and commented on the mystique of the South.

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A vintage, sepia-toned portrait in an ornate frame shows a woman seated next to a young child. Both wear 19th-century clothing. The frame features intricate floral designs and sits next to a decorative velvet-like cover.
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