Skip to content
The Historic New Orleans Collection
2000 30 10 o10

From the French Quarter to the Vatican

The Creole Heritage of Pope Leo XIV

Shortly after Robert Francis Prevost was announced as the first American pope, HNOC’s Jari C. Honora uncovered a surprising New Orleans connection, revealing the pontiff’s maternal grandparents to be Creoles of color from the Seventh Ward. 

By Molly Reid Cleaver, senior editor

May 9, 2025

First Draft: Stories from the Historic New Orleans Collection

Captivating true stories from New Orleans history that surprise and inspire, delivered to your inbox each month. Subscribe today

When Joseph and Louise Martinez boarded a train and left New Orleans for Chicago sometime between 1910 and 1912, they likely never imagined that over a century later, their grandson would become a pope. Yet that is exactly what has happened, with the May 8 election of Robert Francis Prevost to the head of the Catholic Church. Now known as Pope Leo XIV, the new pontiff is not only the first American pope; he is the first Creole pope, with New Orleans African American ancestry thanks to his maternal grandparents.

HNOC Family Historian Jari C. Honora discovered the pope’s Creole roots hours after the papal announcement was made public. “Our Holy Father, Pope Leo XIV, has Creole of color roots from New Orleans on his mother’s side!” Honora wrote in a post on his Facebook page.

Prevost was born and raised in Chicago as a white man, and it’s unclear the extent to which his family discussed their Creole ancestry. That’s because when Joseph and Louise boarded that train in New Orleans, they were known as people of color. Once they arrived in Chicago, they started a new life as whites.

“They made a shift in their racial identity when they went to Chicago,” Honora says. “They were consistently listed as Black, mulatto, colored here, but once they get to Chicago it’s white, white, white, white, white.”

How A Historian Discovered Pope Leo XIV’s New Orleans Roots

It’s unclear whether this change was common knowledge among Prevost’s family. In interviews, the pontiff’s brothers have stated that they knew vaguely of a New Orleans connection in their mother’s ancestry but had never discussed their Creole roots.

“They definitely grew up considering themselves white Chicagoans and still identify as that,” Honora says.

A boy in white lay garments leads a church procession down the street, followed by other boys in white lay garments wearing crucifixes and holding chalices.
Four women stand on the steps of a cathedral, wearing Sunday clothes and hats.

Joseph and Louise, born Louise Baquié, grew up in New Orleans’s Seventh Ward, an enclave for the city’s Creoles of color. Joseph’s place of birth is unclear, from studying the records. When he was an adolescent, it was listed as Louisiana. But in several censuses during his adulthood, he claims his birthplace as Port-au-Prince, Haiti. Louise (1868–1945) was the daughter of Ferdinand Baquié, a shoemaker; her family, Honora says, had been present in Louisiana since the colonial era.

Census records identified both Joseph and Louise as mulatto, sometimes as Black. They were married in 1887 at Our Lady of the Sacred Heart, a church on Annette Street that was destroyed by a hurricane in 1915. Joseph’s childhood home, bounded by North Prieur, Aubry, O’Reilly, and North Roman Streets, was demolished to make way for the Interstate 10 overpass in the mid-20th century.

Postcard illustration of the Upper Pontalba Building in the French Quarter, mid-20th century

Joseph worked as a clerk in an office and as a cigarmaker, Louise as a homemaker. By 1910, they were residing in the French Quarter, in the Upper Pontalba Building overlooking Jackson Square on St. Peter Street. At the time, Joseph was 45 and Louise was 42. They had six children—all girls—ranging in age from 14 to one, and the following year they welcomed a seventh, Mildred (1912–1990), who would go on to become the mother of the Holy Father.

Detail from 1910 New Orleans census listing the Martinez household. Mildred, mother of Pope Leo XIV, was born two years later.

Throughout the 19th century, Creoles of color occupied the middle rung in the city’s tripartite caste system, with whites at the top and African American Blacks at the bottom. Creoles overlapped with the gens de couleur libres (free people of color) of the colonial era; they held better jobs, many of them in skilled trades, and enjoyed greater freedom of movement and opportunity than formerly enslaved Blacks.

However, with the dawn of Jim Crow segregation following the 1896 decision in Plessy v. Ferguson, that three-tiered racial caste system shifted to a binary, undergirded by the “one-drop rule” declaring any person of mixed ancestry to be Black. (Technically, the law set the bar at one-sixteenth of a person’s bloodline.) As the white supremacy of Jim Crow hardened across the South, people of color began leaving in droves, spurring what’s known today as the Great Migration. Between 1915 and 1960, roughly five million people fled the south for greater opportunity in the west and north—particularly Chicago.

Scrapbook page showing scenes from Chicago in 1915, around the same time that Pope Leo XIV’s maternal grandparents arrived from New Orleans.

Such was the case for Pope Leo XIV’s grandparents, the Martinezes. There, Joseph continued his work as a cigarmaker. The family lived on East Cedar Street in the city’s North Side, several blocks from the lakefront. Chicago offered the Martinezes a fresh start, and they put down roots that remain strong today. Like many people of color at the time, the Martinezes left behind the strictures of the Jim Crow south, but today, that forgotten New Orleans connection gives Louisiana Catholics and Catholics of color everywhere a reason to celebrate.

“I think that a lot of New Orleanians have a much stronger connection to the Holy Father now, beyond being people of faith or people of well meaning,” Honora says. “They now consider him a homeboy—and a definite Saints fan at this point.”

Thanks to Andrew Jolivette for his assistance with some of the census research for this story.

Research

Genealogy Resources

Related Stories

View More
First Draft

What’s the Difference Between Cajun and Creole—Or Is There One?

First Draft

Masonic and Odd Fellows Buildings in New Orleans

Related Collection Highlights

View More
A nun stands outside a building with three large arched windows. She is facing the windows, holding a book. The building is white with some visible plants and a tree on the right. The scene has a quiet, contemplative atmosphere.

Mother St. Croix Photographs of Ursuline Convent

The ebullient nun documented her cloisters, sisters, and pupils with care and skill. In doing so she became the earliest known woman to photographically record daily life in New Orleans

Portrait of a woman with dark hair, wearing a black dress with a white collar. She is seated, holding a small object in her left hand, against a plain background. Her expression is calm and composed.

Cane River Collection

Over 1,400 legal and financial documents amount to a detailed record of one slice of 19th-century Black Creole life.

A sepia-toned vintage photograph of a man with curly dark hair and a mustache. He is dressed in a 19th-century suit with a double-breasted coat and bow tie. The image has an old, slightly worn appearance.

Dr. Louis Charles Roudanez Papers

A rare collection of manuscript essays and family correspondence offers a thrilling look at one of the most influential people in the early struggle for African American civil rights in Louisiana.

Related News

View More
Dede and Basile
Announcement

New Orleans Jazz Museum to Screen Award-Winning Documentary Made with HNOC Support

March 17, 2026
“What We Can Know About Edmond and Basile” was named 2026 Humanity Documentary of the Year by the Louisiana Endowment for the Humanities.
A boy in white lay garments leads a church procession down the street, followed by other boys in white lay garments wearing crucifixes and holding chalices.
HNOC in the News

NPR: Why Black Catholics in New Orleans Feel a Special Connection to Pope Leo XIV

June 5, 2025
HNOC family historian Jari Honora spoke with “All Things Considered” about the new pope’s Creole ancestry and what it means for residents of the 7th Ward.
HNOC, OperaCreole, and the Louisiana Philharmonic Orchestra presented Musical Louisiana 2025 at St. Louis Cathedral.
HNOC in the News

Gambit: Musical Louisiana Concert Highlights Works of Underrecognized Creole Composers

March 2, 2026
Get an in-depth preview of HNOC’s upcoming “Echoes of Innovation” concert (March 4), with commentary from museum staff and community partners.

Related Books

View More

Related News

CNN: Pope Leo XIV has Creole Lineage, New Orleans Genealogist Says

NY Times: New Pope Has Creole Roots in New Orleans, Genealogist Says

FIRST DRAFT NEWSLETTER

New Orleans Stories,
Delivered to Your Inbox

1941 1 o6