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A pamphlet for Poodle's Patio advertises a dancer named Galatea, featuring a photograph of her standing like a statue followed by the text "The Statue that Comes to Life".

Poodle’s Patio Pamphlet

During the golden age of Bourbon Street burlesque, Poodle’s Patio featured performers such as Galatea and Jezebel.

between 1957 and 1964
2023.0004

Beginning in the 1930s, burlesque performances—vaudevillian variety shows featuring striptease acts—stormed the country. By 1950, there were tens of thousands of people involved in the burlesque industry, including dancers, musicians, actors, stage managers, and office personnel. This titillating form of entertainment found a home in New Orleans, with Bourbon Street its epicenter. At the height of the trend, in the mid- to late ’50s, the city boasted more than 50 burlesque clubs. Some are still remembered today, such as the 500 Club and El Morocco, but many were forgotten by all but a few. Poodle’s Patio was one such establishment, and The Collection has acquired a rare promotional pamphlet for it, shedding light on this bygone slice of nightlife.  

The front cover of a vintage pamphlet shows an illustrated poodle standing on hind legs. The cover reads "POODLE'S PATIO" at the top, and "640 Bourbon Street, MAgnola, 9686" at the bottom.

Poodle’s Patio opened at 640 Bourbon Street in 1957. Said to have a fully pink interior, it is now known more for musicians who played there, such as Mac Rebennack—before he went by Dr. John—and John Leon Gross (a.k.a. Archibald), than for its burlesque performers.  

One dancer who left a mark was Suzanne Robbins. A high school dropout from North Carolina, Robbins arrived in New Orleans in 1954 and started performing shortly after, first as Wild Cat Frenchie, “The Sadie Thompson of New Orleans,” and then as Jezebel, “The Artist with a Thousand Movements.” Considered one of the classiest acts on Bourbon Street, Robbins was featured in national magazines and in the 1963 B movie Wild Is My Love

A pamphlet advertising Poodle's Patio promotes one of its dancers with the text "FEATURING ... SUZANNE ROBBINS as 'JAEZEBEL', The Artist with a Thousand Movements," alongside a photograph of the dancer in an erotic pose.

The Poodle’s Patio pamphlet features Robbins as Jezebel; Galatea, “The Statue That Comes to Life,” singer Helen June; emcee Scotty McNeil; and three other exotic dancers—June Powell, Gail Lee, and Pat Patterson. There are also photographs of Jezebel and Galatea.  

The pamphlet is undated, but it must have been printed before April 1964, when the club, along with neighbor Madame Francine’s, switched its entertainment from strippers to a band and dancing. The venues had been targets of District Attorney Jim Garrison’s raids that began in early August 1962, less than three months after Garrison took his oath of office. These raids were often dramatic: the first resulted in the arrest of Blaze Starr from El Morocco for “over-exposure” during her act, and Robbins was arrested onstage during her performance at Poodle’s in January 1963. 

A pamphlet interior spread for Poodle's Patio advertises a dancer named Galatea, featuring a photograph of her standing like a statue followed by the text "The Statue that Comes to Life". On the right side of the page is a list of other dancers at the club.

Robbins retired from burlesque shortly thereafter. In a 2003 interview, she referred to Garrison as “that snake in the grass,” stating that she left the scene because “I didn’t want to risk any trouble.” After a stint in California, she returned to New Orleans and served as manager of the Dauphine Orleans Hotel before marrying a man from Washington state and moving to Tacoma.

March 14, 2025

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