Skip to content
The Historic New Orleans Collection
A vibrant, crowded scene depicting a diverse group of people gathered in a lively setting. The backdrop features arches and draped curtains. The individuals are dressed in various colorful, eclectic styles, with expressions suggesting a festive atmosphere.

Burning Orchid Nightclub

This large-scale oil painting celebrates New Orleans nightlife in a bar scene teeming with 100 local notables.

1984; oil on linen
by Douglas Bourgeois
gift of Dr. Jerah Johnson, 2012.0299

This large-scale oil painting by Louisiana artist Douglas Bourgeois depicts a diverse collection of nearly 100 people on two levels of a graffiti-covered club interior in rich detail. Bourgeois, who is from St. Amant, Louisiana, represents people from every walk of life in this 1984 work. There are so many fine points about each individual that a viewer could easily make up a life story for each one.

A vibrant, diverse crowd of people in stylish clothing fills a colorful room with a detailed mosaic floor and arched windows. The atmosphere is lively, with individuals engaging and posing in various expressive stances.

Bourgeois’s paintings fall into the realm of magical realism and fantasy, often portraying musicians and other pop culture figures in fanciful scenarios and always chock full of exciting and interesting detail. Bourgeois is represented by Arthur Roger Gallery in New Orleans and was a participating artist in the Prospect 3 biennial exhibition. He also designed the 2008 Irma Thomas Jazz Fest poster. Burning Orchid Nightclub was a gift to the Collection by UNO Professor Emeritus Jerah Johnson, a frequent donor of important African Americana.

December 5, 2016

Related Stories

View More
First Draft

How Vic and Nat’ly Became Crescent City Cartoon Classics

First Draft

Robert Tannen's Vision of Jackson Square as a Civic Monument

Related Collection Highlights

View More
A woman kneels on the ground, shaping a large piece of stone or clay. She is surrounded by art materials and sculptures in an outdoor setting with a brick floor and plants in the background.

Lin Emery Papers

The renowned sculptor’s papers shed light on her process, dedication, and artistic evolution.

A stylized portrait of a person looking upwards, depicted using bold black lines and an orange background. The illustration emphasizes strong facial features and contrasts light and shadow with a white pattern on the shirt.

I Am the Black Woman

A rare series of 14 linocuts by Elizabeth Catlett carries her manifesto on behalf of Black American women.

A vibrant, surreal painting with a woman in patterned clothing holding a fish and a kettle. A crowd of diverse people surrounds her, along with abstract elements like a clown face, pelican, and flag, set against a backdrop of buildings and swirling colors.

Homage to the French Quarter

The bohemian scene of midcentury New Orleans comes to life in this exciting acquisition.

Related Virtual Exhibitions

View More
A vintage movie poster for Hush... Hush, Sweet Charlotte featuring a woman in a yellow dress dancing with a man in a suit. A ghostly choir stands in the background. The poster includes stylized text and a dramatic image of a womans face on the side.
Film & TV

From Cameo to Close-Up: Louisiana in Film

Explore how the picturesque scenery of Louisiana has provided the backdrop for films since the early 1900s.

A painting depicts a street scene with two people. One sits on a bench outside a wooden building with a louvered facade. Another person stands near a doorway. The architecture features balconies and red-tiled roofs under a cloudy sky.
New Orleans Neighborhoods

French Quarter Life: People and Places in the Vieux Carré

Artistic impressions of New Orleans’s most iconic neighborhood

Related Books

View More
Cover of the book In Search of Julien Hudson showing an illustration of a man with a beard in period attire. Text includes the title and subtitle Free Artist of Color in Pre-Civil War New Orleans and mentions essays by William Keyse Rudolph and Patricia Brady.

In Search of Julien Hudson: Free Artist of Color in Pre–Civil War New Orleans

edited and with an introduction by Erin M. Greenwald, with essays by William Keyse Rudolph and Patricia Brady

Stay Connected

Subscribe to Our Newsletter

2015 0364 51 o6