Material Belief
Objects of Faith, Spirit, and Tradition
Williams Research Center, 410 Chartres Street
Registration Dates
HNOC members: June 3, 2026
General public: June 10, 2026
About
Stained glass, Kiddush cups, carved wooden pews, devotional candles: These are some of the many sacred items that give body and beauty to belief. For the 2026 New Orleans Antiques Forum, the Historic New Orleans Collection (HNOC) is exploring the intersection of the spiritual and material worlds, a rich landscape of antiques shaped by belief, devotion, and spiritual practice across cultures.
Forum sessions will cover a range of sacred items, including Catholic statuary, Judaica, prayer samplers, Afro-Caribbean ritual objects, and more. Attendees will learn how these objects were made, used, and kept—and how they continue to function as powerful material expressions of belief throughout the American Gulf South.
We hope you will join us for an inspiring weekend of discovery and connection in the heart of the French Quarter!
Register
Register online or call (504) 598-7146. No reservations will be taken via email or mail.
Registration will open for HNOC members on Tuesday, June 3, 9:30 a.m. (CDT), and to the general public on Tuesday, June 10, 9:30 a.m. (CDT).
Pricing
- $225 per person
- Young participants (ages 21–30) and museum professionals enjoy half-price registration.
Add-on Experiences
Participants are invited to enhance their experience with optional add-on activities, available at an additional cost. Space is limited. To purchase, simply add to your cart at checkout.
Friday, August 7
9 a.m.–5 p.m.
$125 per person (add to cart at checkout)
Join fellow attendees for a full-day North Shore excursion featuring visits to historic homes and sacred spaces that highlight the region’s cultural and spiritual traditions. Lunch and refreshments are included, with time built in to enjoy the experience and connect with fellow guests. The bus departs the French Quarter at 9 a.m. and returns by 5 p.m.
Saturday, August 8
12 p.m.
Riverview Room, Hotel Monteleone
$95 per person (add to cart at checkout)
Join us for an elegant luncheon in the Riverview Room at the Hotel Monteleone, featuring forum speakers and the leadership of the Historic New Orleans Collection. Enjoy spirited conversation, a deluxe buffet, and wine service while taking in sweeping views of the Mississippi River.
Sunday, August 9
12:30 p.m.
Arnaud’s Restaurant, 813 Bienville Street
$90 per person (add to cart at checkout)
Toast the conclusion of the 18th Annual New Orleans Antiques Forum! Socialize with speakers and staff and enjoy classic Creole cuisine in one of the city’s oldest restaurants.
Brunch Menu
Passed hors d’oeuvres:
Gruyère puff with Fontina cheese
Soufflé potatoes with Béarnaise sauce
1st course:
Haricots Verts Salad: French green beans, hazelnuts, parmesan cheese, truffle vinaigrette
2nd course:
Pan Seared Red Fish: Clemenceau-sauteed gulf shrimp, garlic butter, summer peas, mini brabant potatoes (substitute Chicken Hefner or Cauliflower au Vin)
3rd course:
Pineapple pavlova-pineapple curd, coconut meringue
Location
Forum sessions will be held in the Boyd Cruise Room of the Williams Research Center, 410 Chartres Street, in the French Quarter. Optional add-on activities may take place off-site.
Parking
Parking is not included with forum admission. A discounted price of $15 per day will be available to registered forum attendees. Information about how to access this rate will be included in your registration confirmation.
Hotel Accommodations
Discounted rooms are available at the Hotel Monteleone, 214 Royal Street, just a few blocks from HNOC. To receive the discounted rate, make your reservation before July 8, 2026.
To make a reservation, use this booking linkOpens in new tab or call the hotel directly at (800) 535-9595 and identify yourself as a participant of the 2026 New Orleans Antiques Forum. For more details, visit hotelmonteleone.com.Opens in new tab Hotel parking is available for an additional fee.
Explore the French Quarter
The forum has been designed to allow guests to explore the area, indulge in the city’s famed cuisine on their own, and experience legendary antiques shopping and museums. Make sure to stop by Keil’s Antiques, 325 Royal Street, and Moss Antiques, 411 Royal Street. Forum attendees enjoy free admission to participating house museums in the French Quarter. Information about participating institutions will be included in your registration confirmation.
Cancellation Policy
To cancel your registration, please send an email to events@hnoc.org including your email address, phone number, and dates you wish to cancel. Cancellation requests must be received by July 1, 2026.
Friday, August 7
Friday, August 7
9 a.m.–5 p.m.
$125 per person (add to cart at checkout)
Join fellow attendees for a full-day North Shore excursion featuring visits to historic homes and sacred spaces that highlight the region’s cultural and spiritual traditions. Lunch and refreshments are included, with time built in to enjoy the experience and connect with fellow guests. The bus departs the French Quarter at 9 a.m. and returns by 5 p.m.
2–4 p.m.The registration desk will be open for early check-in at the Williams Research Center (410 Chartres Street).
2–4 p.m.
Williams Research Center, 410 Chartres Street
Included with forum registration; also open to non-registered guests of forum attendees
On Friday afternoon, attendees will have the opportunity to view a curated selection of objects from HNOC’s permanent collection that relate to the forum’s themes of faith, spirit, and tradition. The show-and-tell will not be open to the public, but registered forum attendees are welcome to bring a guest.
Saturday, August 8
All activities take place at HNOC’s Williams Research Center (410 Chartres Street) unless otherwise noted.
Check-in at the Williams Research Center (410 Chartres Street).
Daniel Hammer, president and CEO, HNOC
Tom Savage, moderator, Colonial Williamsburg Foundation
Dr. Alexia Williams, assistant professor of religion and African American studies, University of Illinois Urbana-Champagne
Roman Catholic churches are replete with statues of saints, the Virgin Mary, and Christ—sacred figures chiseled in stone, rendered in wood, or cast in plaster or bronze. Far from mere decoration, these objects have long played a central role in facilitating devotion, intensifying prayer, adorning sacred space, and communicating stories from the life of Christ and the saints to believers. This talk explores the history and function of Catholic statuary in the United States, with particular attention to the relationship between material form and sacred presence.
Williams Research Center, 410 Chartres Street
Beth B. Schneider, consultant to the Judaica Initiative at the Museum of Fine Arts, Houston
Jewish ritual objects are used in homes and synagogues for Sabbath and holiday observance, life-cycle celebrations, and the adornment of Torah scrolls and sacred spaces. Fine materials and precious metals exemplify the principle of hiddur mitzvah (beautifying the commandment) as a way to honor God. This presentation will explore works from the newly formed Judaica collection at the Museum of Fine Arts, Houston (MFAH), along with items from the Museum of the Southern Jewish Experience to link Jewish life in the American South with ritual objects from other parts of the world.
Dale A. Carlson, author and architectural historian
Join author and architectural historian Dale A. Carlson as he discusses nine of his favorite sites discovered while undertaking the research and photography for his 2022 book, Stained Glass New Orleans: A Field Guide. Enjoy stellar photography of each site’s windows while learning about some of the most highly regarded American and European stained-glass makers represented in the Crescent City, including Emil Frei Art Glass Co. of St. Louis, Willet Studios of Philadelphia, Franz Mayer and Co. of Munich, and, of course, Tiffany Studios of New York City.
Attendees are on their own for lunch in the French Quarter, or are invited to a luncheon with event speakers for an additional fee. Space is limited.
Luncheon with the Speakers
Saturday, August 8 , 12 p.m.
Riverview Room, Hotel Monteleone
$95 per person (add to cart at checkout)
Join us for an elegant luncheon in the Riverview Room at the Hotel Monteleone, featuring forum speakers and the leadership of the Historic New Orleans Collection. Enjoy spirited conversation, a deluxe buffet, and wine service while taking in sweeping views of the Mississippi River.
Dr. George H. Schwartz, curator-at-large, Peabody Essex Museum
The human desire to connect with the departed has given rise to a fascination with the supernatural and the magical. Dr. Schwartz will show how art and objects—paintings, posters, photographs, stage apparatuses, and others—were essential components for mediums and magicians “communicating” with the dead at séances and magic shows during the 19th- and 20th-century Spiritualism movement in the US and Europe. During this time period, people actively debated and wondered, “Can spirits return?”—whether they were believers, skeptics, or somewhere in between.
Lydia Blackmore, curator, HNOC
Nina Bozak, senior curator, HNOC
The Historic New Orleans Collection actively collects books, documents, art, and artifacts relating to the history and culture of New Orleans, Louisiana, and the Gulf South. Curators Nina Bozak and Lydia Blackmore will share some recent and notable acquisitions.
Williams Research Center, 410 Chartres Street
Panelists: Dr. Alexia Williams, Beth B. Schneider, Dr. George H. Schwartz, Dr. Marcelitte Failla, and Heather Veneziano.
Moderated by Dr. Erin M. Greenwald, HNOC deputy director
What are the ethical challenges and considerations of collecting, displaying, and caring for sacred objects in both museums and private collections? Forum speakers will consider how meaning can shift when these items move outside their original religious contexts, and what responsibilities come with their stewardship. The discussion will explore what it means to care for sacred material while respecting living traditions.
Dr. Lily Higgins, Andrew W. Mellon Postdoctoral Curatorial Fellow, the Walters Art Museum
Although the structural integrity of the fabric is compromised and the colors are diminished, a French inscription marks the sampler crafted by 10-year-old Pauline Fortier in 1815, making it the earliest surviving Louisiana sampler. Made at the Ursuline Convent school in New Orleans during a tumultuous period in the city’s history, the sampler is tangible evidence of the order’s mission to educate women and create the foundation for a society steeped in Catholic virtues. Another early Louisiana sampler made by a young Acadian woman named Louise Celeste Babin in Attakapas territory in 1819 survives at the Longfellow-Evangeline State Historic Site. Together, the Fortier and Babin samplers highlight the ways in which material objects, literacy, and the shared rituals of Catholic faith connected women not only across the Atlantic Ocean, but also within the varied cultural landscape of early 19th-century Louisiana.
Williams Research Center, 410 Chartres Street
Dr. Marcelitte Failla, assistant professor of philosophy and religious studies, North Carolina State University
Lilith Dorsey, author and filmmaker
African diasporic religions, including Voodoo, Hoodoo, Vodou, Ifá, and Òrìṣà traditions, have long shaped the spiritual landscape of New Orleans and the broader Gulf South. Rooted in West and Central African belief systems and transformed through histories of enslavement, migration, and cultural exchange, these practices are expressed through a rich material culture of altars, offerings, ritual tools, and performance. This session explores how such objects are made, used, and understood within living traditions, serving as points of connection to spiritual forces, ancestors, and community. Considering both historical and contemporary contexts, the speakers examine the meanings these materials carry and the roles they continue to play in sustaining belief and practice today.
Williams Research Center, 410 Chartres Street
The Historic New Orleans Collection
520 Royal Street
5:15–6:30 p.m.
Mix and mingle with fellow program attendees over libations and hors d’oeuvres.
Sunday, August 9
All activities take place at HNOC’s Williams Research Center (410 Chartres Street) unless otherwise noted.
Check-in at the Williams Research Center (410 Chartres Street).
Daniel Hammer, president and CEO, HNOC
Tom Savage , Colonial Williamsburg Foundation
Sarah Duggan, DAGS project manager, HNOC
Decorative Arts of the Gulf South project manager Sarah Duggan will share about graduate summer interns’ recently completed research and object cataloging. This year’s team conducted fieldwork in longtime DAGS favorite Natchez, Mississippi, and visited a local New Orleans antiques collector. Their work revealed new stories about the context of historic objects.
About Decorative Arts of the Gulf South
The Decorative Arts of the Gulf South project at HNOC is an initiative that documents and shares information about pre-1865 material life in Louisiana, Mississippi, and Alabama. The initiative also prioritizes education, offering internships for both graduate and undergraduate students. Duggan oversees DAGS data and research and was a cocurator for the exhibitions Pieces of History: Ten Years of Decorative Arts Fieldwork and Unknown Sitters.
Heather Veneziano, professor and director of historic preservation program, Tulane University
This session examines cemeteries and mourning practices as material expressions of belief in the Gulf South. It considers not only tombs and markers, but also what is brought into these spaces, including votives, flowers, hand-crafted offerings, and other tributes that give form to grief, memory, and spiritual connection. Together, these elements reveal how belief is made visible through making, use, and ongoing care. By situating these practices within the cemetery landscape, the talk highlights how sacred meaning is continuously shaped through both built forms and ephemeral materials, creating dynamic environments where communities express and sustain traditions of faith and remembrance.
Williams Research Center, 410 Chartres Street
Dr. Christopher S. Hunter, associate professor of the practice and director of professional programs, Texas A&M University
This presentation will introduce the architecture of the African American church house and explore the building as a constructed representation of cultural agency and spiritual belief. How have four walls defined Black space as a representation of material culture, temporal resistance, and architectural aesthetics? Resilience of spiritual practice in a society that progressively fought against Afrocentric existence became linked to agency and the importance of self-determination. Black spirituality in the South carries cultural connections from West Africa to the syncretized creation of American spiritual traditions. The Afrocentric church house became and continues to be an enduring place of faith, spirit, and tradition.
Tom Savage, Colonial Williamsburg Foundation
Arnaud’s Restaurant, 813 Bienville Street
$90 per person (add to cart at checkout)
Toast the conclusion of the 18th Annual New Orleans Antiques Forum! Socialize with speakers and staff and enjoy classic Creole cuisine in one of the city’s oldest restaurants.
Brunch Menu
Passed hors d’oeuvres:
Gruyère puff with Fontina cheese
Soufflé potatoes with Béarnaise sauce
1st course:
Haricots Verts Salad: French green beans, hazelnuts, parmesan cheese, truffle vinaigrette
2nd course:
Pan Seared Red Fish: Clemenceau-sauteed gulf shrimp, garlic butter, summer peas, mini brabant potatoes (substitute Chicken Hefner or Cauliflower au Vin)
3rd course:
Pineapple pavlova-pineapple curd, coconut meringue
The Reverend Mother Lydia Gilford with infant Jesus on the steps of her church at 1349 Columbus Street, 1974.
Speakers
Lydia Blackmore
The Historic New Orleans Collection
Lydia Blackmore
Lydia Blackmore is a curator at HNOC specializing in material culture, design, Carnival, and architecture. She earned an MA and certificate in museum studies from the Winterthur Program in American Material Culture at the University of Delaware. She also holds a degree in history from the College of William and Mary. As a curator, Blackmore oversees research, acquisition, and preservation of decorative art, fine art, material culture, and design collections. She is also coordinating preservation projects at HNOC’s historic 533 Royal Street campus. In her 12 years at HNOC, Blackmore has curated or cocurated several exhibitions, including Making Mardi Gras (2022), A Vanishing Bounty (2024), and Unknown Sitters (2024). Outside of HNOC, she is a member of the board of trustees of the Historic BK House and Gardens.
Nina Bozak
The Historic New Orleans Collection
Nina Bozak
Nina Bozak is a senior curator at HNOC who works with acquisitions, rare books, and performing arts collections. She received her undergraduate degree in history at Loyola University in New Orleans and her master’s degree from the Palmer School of Library and Information Science at Long Island University, concentrating on rare books and special collections. Her 15 years at HNOC were preceded by four years in the special collections libraries at Tulane University and Dillard University, as well as three in the rare book trade of New York at Swann Auction Galleries and Bauman Rare Books.
Dale A. Carlson
Dale A. Carlson
Dale A. Carlson was born and raised along the northeastern shores of Lake Michigan and has called metropolitan Detroit home since 2004. He holds a bachelor’s degree in art history from Wayne State University and is the author of Corrado Parducci: A Field Guide to Detroit’s Architectural Sculptor, Kahn’s Detroit: A Field Guide to Albert Kahn Designs of the Metro Area, and Stained Glass New Orleans: A Field Guide. He lectures regularly and credits his late wife, Carolin Venegas Jones, for inspiring his ventures into publishing and photography.
Lilith Dorsey
Lilith Dorsey
Lilith Dorsey, MA, hails from many magickal traditions. Their traditional education focused on plant science, anthropology, and film at the University of Rhode Island, New York University, and the University of London. Their magickal training includes numerous initiations in Lucumí, Haitian Vodoun, and New Orleans Voodoo. Dorsey is also a Voodoo priestess, filmmaker of the experimental documentary Bodies of Water: Voodoo Identity and Tranceformation, as well as choreographer and performer for Dr. John’s “Night Tripper” Voodoo show. They are proud to be a published Black author of such titles as Voodoo and African Traditional Religion, the bestselling Orishas, Goddesses, and Voodoo Queens, and more.
Sarah Duggan
The Historic New Orleans Collection
Sarah Duggan
Sarah Duggan is the project manager of the Decorative Arts of the Gulf South (DAGS) project at the Historic New Orleans Collection, an initiative that documents and shares information about pre-1865 material life in Louisiana, Mississippi, and Alabama. Duggan oversees DAGS data and research and was a cocurator for the exhibitions Pieces of History: Ten Years of Decorative Arts Fieldwork and Unknown Sitters. She holds a master’s degree from the Winterthur Program in American Material Culture at the University of Delaware and a bachelor’s in history and religious studies from the College of William and Mary.
Dr. Marcelitte Failla
North Carolina State University
Dr. Marcelitte Failla
Marcelitte Failla is an assistant professor in the Department of Philosophy and Religious Studies at North Carolina State University. She received her PhD in American religious cultures from Emory University, with a certificate in women’s, gender, and sexuality studies. Her current book project investigates how contemporary Black witches employ African diasporic religions for manifestation, healing, and protection from anti-Blackness. As a practitioner of Hoodoo, Ifá, and Òrìṣà traditions, she often holds ceremonial space in academic and community settings. Failla has articles in The Black Scholar, The Journal of Religion and Culture at Concordia University, and Liturgy. She is also the recipient of the Mellon/ACLS Dissertation Completion Fellowship.
Erin M. Greenwald, PhD
The Historic New Orleans Collection
Erin M. Greenwald, PhD
Erin Greenwald serves as deputy director at the Historic New Orleans Collection (HNOC), overseeing the divisions of collection development and exhibitions, audience engagement, digital services, and publications, as well as the Williams Research Center. She was previously Vice President of Public Programs at the Louisiana Endowment for the Humanities (LEH), where she led statewide program development and implementation and served as editor in chief of 64 Parishes magazine. Prior to her work at the LEH, Greenwald was senior curator and historian at HNOC. Greenwald holds a PhD in history from Ohio State University.
Dr. Lily Higgins
The Walters Art Museum
Dr. Lily Higgins
Lily Higgins earned her doctorate in art history from Yale and is a graduate of Harvard and the Winterthur Program in American Material Culture. She has participated in fellowships at the Yale Center for British Art, Winterthur, and the World Monuments Fund, and her work has been supported by the Decorative Arts Trust, the Colonial Society of Massachusetts, and the Chipstone Foundation. As the Mellon Curatorial Fellow at the Walters Art Museum in Baltimore, she is engaged in the reinstallation of the museum’s collection of 18th- and 19th-century European art. She is interested in materiality, the tension between the local and the global, and the ways in which ideas are contested or made tangible through objects.
Dr. Christopher S. Hunter
Texas A&M University
Dr. Christopher S. Hunter
Christopher S. Hunter was born in Dayton, Ohio. He earned a Bachelor of Architecture degree from the University of Cincinnati and a Master of Science and PhD in architecture from Texas A&M University. His research focuses on the design of African American churches constructed from 1800 to 1920. He was an assistant professor of architecture at Mississippi State University from 2018 to 2023 and is currently an associate professor of the practice at Texas A&M University in College Station, Texas. He teaches undergraduate- and graduate-level design studios and lectures while serving as chair of graduate student committees.
Tom Savage
Tom Savage
In 2021, Tom Savage was appointed director of educational travel and conferences for the Colonial Williamsburg Foundation, following a sixteen-year career at Winterthur Museum, Garden, and Library as director of museum affairs and director of external affairs. From 1998 to 2005, he was senior vice president and director of Sotheby’s Institute of Art, where he directed Sotheby’s American Arts Course, and from 1981 to 1998 he served as curator and director of museums of the Historic Charleston Foundation. A native of Virginia, Savage received a BA in art history from the College of William and Mary and a master’s degree in history museum studies from the Cooperstown Graduate Program of the State University of New York. Savage currently serves on the board of governors of the Decorative Arts Trust. He is a former trustee of the Royal Oak Foundation, the Attingham Summer School, and the Sir John Soane’s Museum Foundation. In addition, he served as a presidential appointee to the Committee for the Preservation of the White House from 1993 to 2002.
Beth B. Schneider
Museum of Fine Arts, Houston
Beth B. Schneider
Beth B. Schneider is currently the consultant to the Judaica Initiative at the Museum of Fine Arts, Houston, where she works with curators to build, present, and interpret a collection of ritual art representing the Jewish diaspora. Schneider worked in art museum education for more than 40 years, including 23 years at the MFAH, where she was education director from 1986 to 2007. At the MFAH she led initiatives that expanded museum audiences by creating outreach programs throughout Houston and Harris County—establishing programs for families, developing workshops and resources for teachers, and interpreting the museum’s collections and exhibitions. She coauthored two books about education at the MFAH, wrote articles on museum education, and created materials for teachers. In 2008 the National Art Education Association awarded her National Museum Educator of the Year.
Dr. George H. Schwartz
Peabody Essex Museum
Dr. George H. Schwartz
George H. Schwartz, PhD, is curator-at-large at the Peabody Essex Museum (PEM). He has curated many successful PEM exhibitions and installations, including Conjuring the Spirit World: Art, Magic, and Mediums and the bicentennial installation in the museum’s historic East India Marine Hall. His specialties and interests are in maritime art, material culture, early collecting, and museum history. He is the editor and lead author of Conjuring the Spirit World (Rizzoli Electa, 2024) and the author of Collecting the Globe: The Salem East India Marine Society Museum (UMASS Press, 2020), which explores PEM’s origins. Schwartz also teaches material culture at Tufts University in the museum studies program.
Heather Veneziano
Tulane University
Heather Veneziano
Heather Veneziano is a preservationist, researcher, and educator specializing in the intersection of cultural heritage and environmental change in coastal Louisiana. As director of Tulane University’s historic preservation program, she leads interdisciplinary initiatives that integrate archival research, GIS, and fieldwork to document vulnerable landscapes. She is also a subject-matter expert on historic cemeteries and burial landscapes, with a focus on documentation, protection, and ethical stewardship. Her work advances community-engaged preservation as a tool for resilience, equity, and public understanding.
Dr. Alexia Williams
University of Illinois Urbana-Champagne
Dr. Alexia Williams
Alexia Williams is an assistant professor of religion and African American studies at the University of Illinois Urbana–Champaign. Her work traces the entanglements of race and religion across the hemispheric Americas, with a focus on Afro-diasporic religions and Roman Catholicism. Her current book project, Race to Sainthood: Roman Catholicism and the US Racial Imagination, examines the cultural and aesthetic work that emerges from local efforts to canonize the first African American saint in the Roman Catholic church. Her research has been supported by the Ford Foundation, the Louisville Institute, and the John C. Danforth Center on Religion and Politics. She holds a PhD in American Studies and African American Studies from Yale University.
Support
The 2026 New Orleans Antiques Forum is made possible by generous support from our sponsors.
Explore the Antiques Forum
Since 2008, HNOC’s New Orleans Antiques Forum has brought together antiques aficionados, scholars of material culture, and fans of finery in a weekend-long celebration of history and aesthetics.
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