Skip to content
The Historic New Orleans Collection
Two Portraits by Julien Hudson
Free Black man wearing a turban (detail), 1835, oil painting by Julien Hudson.

Two Portraits by Julien Hudson

The elusive Creole artist of color makes a rare showing in the Williams Research Center.

Ongoing

Williams Research Center, 2nd Floor
410 Chartres Street

For over a century, the name Julien Hudson has been shrouded in mystery. The first native-born portraitist in Louisiana history and the second-known portraitist of color in America, Hudson made a name for himself in the 19th century, died young, and left behind little of his catalog. Only six of his works are known to exist, and last year, the Historic New Orleans Collection acquired two of them through a generous bequest. The exceedingly rare paintings—one depicting a Creole boy, the other an African or African-descended man—each hint at individual stories of complexity, tragedy, and hope.

2025 0300 1 004 web
2025 0300 2 003 web

HNOC is proud to display these two important works of American art history in a new installation at the Williams Research Center. Curators’ text will share what we know—and don’t—about the sitters and Hudson himself. Viewers are invited to reflect on the lives captured in the paintings and the artist who left them behind too soon.

Note: Museum admission is not required to visit HNOC’s Williams Research Center.

2025 0300 1 004 detail2
2025 0300 1 004 detail3
2025 0300 1 004 detail1
2025 0300 2 003 detail4 crop
2025 0300 2 003 detail2
2025 0300 2 003 detail1
Research

Williams Research Center

Related Books

View More
Books

In Search of Julien Hudson: Free Artist of Color in Pre–Civil War New Orleans

Cover of the book In Search of Julien Hudson showing an illustration of a man with a beard in period attire. Text includes the title and subtitle Free Artist of Color in Pre-Civil War New Orleans and mentions essays by William Keyse Rudolph and Patricia Brady.

Related Exhibitions

View More
Exhibitions

In Search of Julien Hudson: Free Artist of Color in Pre–Civil War New Orleans

January 20 to May 15, 2011

Related Stories

View More
First Draft

Salazar’s Surprises

First Draft

Who’s a Good Boy? These Pups from the Past

Related Collection Highlights

View More
A soft, blurred painting of a tranquil, wooded landscape. Dark trees stand near a calm body of water, reflecting the serene atmosphere of the scene. The sky is overcast, adding a hazy and muted tone to the overall image.

Black River Country

Painter Alexander John Drysdale was known for his landscapes, for which he used a technique of thinning oil paint with kerosene.

Pen and ink drawing of three adult egrets hovering over a nest of young egrets. The nest and adults are standing on a bed of broken limbs and branches. The word "Egrets" is formed from broken branches.

Louisiana Alphabet

Lexical illustrations from the godfather of the Historic New Orleans Collection

A woman kneels on the ground, shaping a large piece of stone or clay. She is surrounded by art materials and sculptures in an outdoor setting with a brick floor and plants in the background.

Lin Emery Papers

The renowned sculptor’s papers shed light on her process, dedication, and artistic evolution.

Related News

View More
A screenshot of an interview with HNOC Deputy Director Erin Greenwald appearing on KTBS-TV based out of Shreverport, Louisiana.
HNOC in the News

KTBS-TV: Rare Portraits by Pioneering Louisiana Artist Now on Display in New Orleans

October 14, 2026
HNOC Deputy Director Erin Greenwald provided insight into two extraordinary paintings now on view at the Williams Research Center.
Stay Connected

Subscribe to Our Newsletter

1959 210 o6 2024 06 05 202329 tavg