Skip to content
The Historic New Orleans Collection
Watercolor painting of a solemn sailor in uniform beside a grave with a cross. The headstone reads, In honor of those who served, and lists several names. The artwork is abstract with muted colors and blurred edges.

La Famil[l]e de Pajaud

The New Orleans–born visual artist pays homage to his roots in this subdued, impactful watercolor.

ca. 1970; watercolor
by William Pajaud Jr.
2018.0490

Born in New Orleans, the artist William Pajaud Jr. (1925–2015) was the child of Audrey DuCongé, a social worker, and William Pajaud Sr. (known as Willie), a trumpeter who played regularly for jazz funerals and for a time with the Eureka Brass Band. William Jr.’s early exposure to the brass band and traditional jazz scenes in New Orleans informed the art he created throughout his life. After graduating from Xavier University of Louisiana with a bachelor’s degree in fine art, Pajaud left New Orleans during the era of the Great Migration, moving first to Chicago and then Los Angeles, where he would spend the remainder of his life. He studied at the Chouinard Art Institute (now California Institute of the Arts), and in 1957 he joined the staff of Golden State Mutual Life Insurance Company, one of the largest African American–owned insurance companies in the West. During his tenure at Golden State, he developed the company’s nationally recognized collection of African American art.

Stylized watercolor artwork depicting a musician wearing a blue and white uniform and cap, holding a trumpet. A small plaque with the text Billys Boogie is visible on the wall in the background. The image has a minimalistic and abstract feel.

Pajaud’s watercolor La Famil[l]e de Pajaud (Sidney William Albert Renee)Opens in new tab evokes a New Orleans jazz funeral while memorializing the artist’s paternal relatives. An unidentified Eureka Brass Band trumpet player, likely Willie Wilson, stands in front of a tomb bearing the names of Pajaud’s grandfather, father, and uncles. The subject’s gaze and downward-facing trumpet reflect the moment of burial, when bands are traditionally silent.

HNOC’s extensive music holdings include film and photographs of the Eureka Brass Band, but this painting adds a new perspective on the band’s rich history, as well as the city’s music and funeral traditions. It is also the first work by this important New Orleans–born artist in the institution’s holdings.

November 1, 2019

Related Stories

View More
First Draft

HNOC’s Portrait Census

First Draft

Salazar’s Surprises

Related Collection Highlights

View More
A woman kneels on the ground, shaping a large piece of stone or clay. She is surrounded by art materials and sculptures in an outdoor setting with a brick floor and plants in the background.

Lin Emery Papers

The renowned sculptor’s papers shed light on her process, dedication, and artistic evolution.

A vibrant, crowded scene depicting a diverse group of people gathered in a lively setting. The backdrop features arches and draped curtains. The individuals are dressed in various colorful, eclectic styles, with expressions suggesting a festive atmosphere.

Burning Orchid Nightclub

This large-scale oil painting celebrates New Orleans nightlife in a bar scene teeming with 100 local notables.

A stylized portrait of a person looking upwards, depicted using bold black lines and an orange background. The illustration emphasizes strong facial features and contrasts light and shadow with a white pattern on the shirt.

I Am the Black Woman

A rare series of 14 linocuts by Elizabeth Catlett carries her manifesto on behalf of Black American women.

Related Virtual Exhibitions

View More
A vintage movie poster for Hush... Hush, Sweet Charlotte featuring a woman in a yellow dress dancing with a man in a suit. A ghostly choir stands in the background. The poster includes stylized text and a dramatic image of a womans face on the side.
Film & TV

From Cameo to Close-Up: Louisiana in Film

Explore how the picturesque scenery of Louisiana has provided the backdrop for films since the early 1900s.

A painting depicts a street scene with two people. One sits on a bench outside a wooden building with a louvered facade. Another person stands near a doorway. The architecture features balconies and red-tiled roofs under a cloudy sky.
New Orleans Neighborhoods

French Quarter Life: People and Places in the Vieux Carré

Artistic impressions of New Orleans’s most iconic neighborhood

Related Books

View More
Stay Connected

Subscribe to Our Newsletter

2015 0364 51 o6