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The Historic New Orleans Collection
Watercolor painting of a solemn sailor in uniform beside a grave with a cross. The headstone reads, In honor of those who served, and lists several names. The artwork is abstract with muted colors and blurred edges.

La Famil[l]e de Pajaud

The New Orleans–born visual artist pays homage to his roots in this subdued, impactful watercolor.

ca. 1970; watercolor
by William Pajaud Jr.
2018.0490

Born in New Orleans, the artist William Pajaud Jr. (1925–2015) was the child of Audrey DuCongé, a social worker, and William Pajaud Sr. (known as Willie), a trumpeter who played regularly for jazz funerals and for a time with the Eureka Brass Band. William Jr.’s early exposure to the brass band and traditional jazz scenes in New Orleans informed the art he created throughout his life. After graduating from Xavier University of Louisiana with a bachelor’s degree in fine art, Pajaud left New Orleans during the era of the Great Migration, moving first to Chicago and then Los Angeles, where he would spend the remainder of his life. He studied at the Chouinard Art Institute (now California Institute of the Arts), and in 1957 he joined the staff of Golden State Mutual Life Insurance Company, one of the largest African American–owned insurance companies in the West. During his tenure at Golden State, he developed the company’s nationally recognized collection of African American art.

Stylized watercolor artwork depicting a musician wearing a blue and white uniform and cap, holding a trumpet. A small plaque with the text Billys Boogie is visible on the wall in the background. The image has a minimalistic and abstract feel.

Pajaud’s watercolor La Famil[l]e de Pajaud (Sidney William Albert Renee)Opens in new tab evokes a New Orleans jazz funeral while memorializing the artist’s paternal relatives. An unidentified Eureka Brass Band trumpet player, likely Willie Wilson, stands in front of a tomb bearing the names of Pajaud’s grandfather, father, and uncles. The subject’s gaze and downward-facing trumpet reflect the moment of burial, when bands are traditionally silent.

HNOC’s extensive music holdings include film and photographs of the Eureka Brass Band, but this painting adds a new perspective on the band’s rich history, as well as the city’s music and funeral traditions. It is also the first work by this important New Orleans–born artist in the institution’s holdings.

November 1, 2019

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