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The Historic New Orleans Collection
A man in a white suit and hat leads a festive parade, holding a cigar and a card. Behind him, a band plays brass instruments, and a group of people, including a trombone player, follows in celebration. The atmosphere is lively and cheerful.

A Life in Jazz

by Danny Barker
edited by Alyn Shipton, with an introduction by Gwen Thompkins

A one-of-a-kind memoir by New Orleans’s premier elder statesman of jazz, this illustrated re-release brings Danny Barker’s vibrant autobiography back into print.

Cover of A Life in Jazz by Danny Barker, edited by Alyn Shipton. The image features a black-and-white portrait of a man wearing a hat and suit. The book includes a new introduction by Gwen Thompkins.

A Life in Jazz

HNOC 2016 
hardcover • 8" × 10" • 254 pp.
115 color and b&w images
ISBN 978-0-917860-71-3

$39.95

Danny Barker (1909–1994) was born when jazz was still in its infancy, and by the time of his death he was known as both a master of the idiom and a guardian of its history. Storyteller, researcher, songwriter, performer, and mentor, Barker was a true griot—an elder statesman of jazz and an international representative of New Orleans and African American culture.

In more than 60 years as a working musician, he followed the evolution of jazz from its New Orleans roots to mainstream success during the swing era to canonization as America’s first wholly original art form. In his career as a songwriter, which yielded the hit “Don’t You Feel My Leg,” Barker combined traditional song forms with sly humor about sex and human nature. More than any other jazz artist, he worked to document the music’s history and to tell the stories of its people.

A woman singing into a vintage microphone, wearing a dark dress with floral embroidery. Beside her, a man in a dark pinstripe suit is playing an acoustic guitar. They appear to be performing together in a studio.

A Life in Jazz, first published in 1986 and edited by British jazz scholar Alyn Shipton, captures the breadth of Barker’s knowledge and the scope of his vision as a storyteller. His carefully crafted set pieces range from hilarious to harrowing, and he shares memories of jazz greats such as Jelly Roll Morton, Cab Calloway, and Dizzy Gillespie. Barker’s prose reflects the freedom and creativity of jazz while capturing the many injustices, both casual and grand, of life as a black man in midcentury America.

This illustrated edition of A Life in Jazz brings Barker’s autobiography back into print, accompanied by more than 100 images that bring his story to life. Journalist Gwen Thompkins, host of public radio’s Music Inside Out, reflects on Barker’s legacy in her introduction, and the complete discography and song catalog showcase the breadth of Barker’s work. Through his struggles, triumphs, escapades, and musings, A Life in Jazz reflects the freedom, complexity, and beauty of this thoroughly American, black music tradition.

A vintage black and white photo of seven men in suits. Five are standing, with one wearing a white suit and fedora. Two are crouching in front. They are posing outdoors against a brick wall and a doorway. The style suggests an early to mid-20th century setting.

Praise for A Life in JazZ

“Outside of [Jelly Roll] Morton, no single musician shed more light on the origins, context and meaning of early jazz than guitarist-banjoist-raconteur Danny Barker. So anyone who values this music can be thankful that Barker’s memoir, ‘A Life in Jazz,’ has been restored to print in lavishly illustrated, sumptuously produced form by the Historic New Orleans Collection. . . . The tome reaffirms the singularity of Barker’s voice and the value of his insights.”

“A glossy new expanded edition, lavishly illustrated with more than 100 historic photographs. . . The new ‘A Life in Jazz’ illuminates the words and stories of a uniquely talented New Orleanian.”

“The wonderful thing about ‘A Life in Jazz’ being available to the world again by way of the Historic New Orleans Connection, is that readers have the opportunity to hear the echo of Barker’s voice through his own words . . . an observer of human nature, told his tales succinctly, intelligently with flashes of political statements wrapped in humor, wit and honesty.”

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