“An exemplary graphic work built on a foundation of impressive scholarship.”
Kirkus Reviews starred review
Enjoy free admission every day. Visit the museum and shop or conduct research at the Williams Research Center.
Immerse yourself in America’s fight for independence in this new exhibition experience designed and produced by French technology firm Histovery. On view until January 17, 2027.
On Friday, May 8, bring your dancing shoes and enjoy classic tunes from the Great American Songbook, including hits by Louis Prima, in HNOC’s historic courtyard at 520 Royal Street.
Dive into the Collection’s holdings with image-rich previews of treasures from New Orleans history.
June 8–12, Curator Camp is a weeklong summer program for teens who get excited by history, artifacts, and storytelling! Daily hands-on workshops and experiences introduce skills that bring history and museums to life.
Captivating true stories that surprise and inspire, written and published by HNOC staff and special guest authors.
On October 29, join us in celebrating six decades of preserving, collecting, and making history. Save the date for music, memories, and more at what is sure to be a fantastic night out in the French Quarter.
by Brian K. Mitchell, Barrington S. Edwards, and Nick Weldon
An award-winning graphic history telling the story of Oscar Dunn, a New Orleanian born into slavery who became America’s first Black lieutenant governor and acting governor
HNOC 2021
softcover • 7" x 10" • 256 pp.
180 fully illustrated pages
ISBN 978-0-917860-83-6
$19.95 • £15
$19.95
“An exemplary graphic work built on a foundation of impressive scholarship.”
Kirkus Reviews starred review
Monumental tells, for the first time, the incredible story of Oscar James Dunn, a New Orleanian born into slavery who became America’s first Black lieutenant governor and acting governor. A champion of universal suffrage, civil rights, and integrated public schools, Dunn fought for radical change during the early years of Reconstruction in Louisiana, a post–Civil War era rife with corruption, subterfuge, and violence. In life, allies and rivals praised him for his integrity and political talent. After his mysterious death, at the height of his feud with Governor Henry Clay Warmoth, New Orleans honored Dunn with one of the largest funeral processions in its history, and he was hailed as an African American icon. The state approved a monument to be erected in his memory, but it was never built. Dunn’s accomplishments, and those of many other Black politicians who emerged during Reconstruction, faded from memory.
A graphic history informed by newly discovered primary sources, Monumental resurrects, in vivid detail, Louisiana and New Orleans after the Civil War—and presents an iconic American life that never should have been forgotten. Contextual essays, a map, timeline, and endnotes add layers of depth to the narrative. Monumental is a story of determination, scandal, betrayal—and how one man’s principled fight for equality and justice may have cost him everything.
“In its diligent documentation, clear explanations, and dramatic story, Monumental will enhance and expand popular knowledge about Oscar Dunn and Reconstruction.”
Journal of the Civil War Era review
Brian K. Mitchell is director of research and interpretation at the Abraham Lincoln Presidential Library and Museum in Springfield, Illinois. A New Orleans native, Mitchell received a PhD in urban studies with a concentration in public history at the University of New Orleans. Mitchell’s writing and research primarily deals with race, violence, and the Elaine Massacre, and has been featured by CNN, NPR, and the Associated Press.
Barrington S. Edwards, an artist and community activist from Boston, earned a BFA in communication design and an MS in art education at the Massachusetts College of Art. He taught visual arts at the Boston Arts Academy for 19 years. He is an award-winning teacher and artist, a publisher of comics and graphic media, and works as a freelance artist and consultant. He teaches art education at the Massachusetts College of Art and Design.
Nick Weldon is an editor at the Historic New Orleans Collection. He has edited Enigmatic Stream: Industrial Landscapes of the Lower Mississippi River by Richard Sexton (2019), as well as materials for several major exhibitions. He was previously senior editor at Runner’s World and has written about a wide range of topics for outlets including Backpacker, SB Nation, Vice, New Orleans magazine, Garden and Gun, Paper Monuments, Sports Illustrated, and ESPN.com.
Messages from the past dispel the benevolent slaveholder myth.
During Reconstruction, Williams became actively involved in the fight for equity in education and the rights of African American women.
A rare collection of manuscript essays and family correspondence offers a thrilling look at one of the most influential people in the early struggle for African American civil rights in Louisiana.
HNOC acquired an original copy of the infamous image that took Civil War-era America by storm, quickly becoming a tool of the abolitionist cause.