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Beyond Nottoway

The mansion at Nottoway Plantation burned to the ground, but related sites survive across the South.

By Sarah Duggan, Decorative Arts of the Gulf South project manager

July 22, 2025

The small town of White Castle, Louisiana, made national headlines on May 15, 2025, when the mansion of Nottoway Plantation burned to the ground. News of its unexpected destruction evoked a wide range of reactions on social media. Some mourned that a beautiful building was gone and history had been lost. Others were overjoyed to see a symbol of slavery and brutality go up in flames, whether as a random accident or, as some speculated, ancestral vengeance. These polarized responses indicate how the US is still reckoning with the legacy of plantation slavery, even 150 years after the end of the Civil War.   

A black and white photo shows artist Carrie Mae Weems dancing inside Nottoway Mansion.
A black and white photo shows artist Carrie Mae Weems dancing inside Nottoway Mansion.
A black and white photo shows artist Carrie Mae Weems dancing inside Nottoway Mansion.

Designed by architect Henry Howard for planter John Hampden Randolph in 1859, Nottoway experienced a luxurious heyday that lasted only two short years before the Civil War began. As with many plantation mansions, the house became a financial burden rather than a bastion of generational wealth. Randolph’s widow sold the property in 1889 to pay off mounting debts.  

A black and whtie photo of Nottoway plantation worker Major Bell Sr., standing in a doorway with painting supplies.
A black and white photo of Nottoway plantation worker Richard Davis on a tractor.

Nottoway changed hands multiple times over the 20th century. Some of its new owners used it as a private residence and as a sugar plantation, with mixed success. In 1985, a pair of business partners purchased the property. By the early 2000s, they’d transformed the massive Greek Revival estate into a resort destination and wedding venue.  

Before its big house burned, Nottoway promoted its distinction as the largest extant plantation house in the United States. While that is no longer the case, there are still numerous surviving buildings relevant to Nottoway’s history, many of which highlight the lives and labor of the enslaved people whose history went largely untold at the popular plantation resort. Here a just a few sites relevant to the story of Nottoway. 

A modern day photo of the Wilton House Museum, with a cannon and two men dressed as Revolutionary War era soldiers in front.
A lithograph image of enslaved workers

While the Randolphs were fighting for their own political freedom, over one hundred enslaved people worked at Wilton with little hope for their own liberty. As the Randolphs’ fortunes waned, they sold away their human property. The last enslaved people and crops were sold off in 1859. Archaeology has unearthed a treasure trove of “objects that they owned, purchased, cherished, resented, broke, played with, and discarded.” The online exhibition Wilton UncoveredOpens in new tabfeatures these discoveries and how they enhance limited documentary records.

Modern photo of Woodville Branch Banking House
A modern photo of the Woodville Branch Banking House
Photo of a circa-1819 bank vault door at the Woodville Branch Banking House
Photo of a circa-1819 bank vault door at the Woodville Branch Banking House

Woodville today is a small town that still serves as the legal seat of Wilkinson County, Mississippi. The Wilkinson County Museums are in two early 19th century buildings near the town square. Peter Randolph likely frequented the circa-1819 bank that is now the African American Museum. Around 1836 the West Feliciana Railroad Company built a grander bank and office across the street. Mississippi and Louisiana planters had joined forces to build a local rail line that would more easily ship cotton crops to the port in New Orleans. Today it is one of the oldest remaining railroad buildings in the United States.   

Color postcard showing the Lower Pontalba Building, ca. 1910.
Modern photo of Madewood Plantation
A still from Beyoncé's 2016 song “Sorry” which was shot at Madewood Plantation.

Although Madewood is no longer open to the public, you can still make a virtual visit through its many film set appearances, including Sofia Coppola’s 2017 film The Beguiled and the 2016 remake of Roots. Also in 2016, Beyonce Knowles-Carter used Louisiana’s Madewood as one of the settings for her epic visual album Lemonade.   

A modern photo of Longwood Plantation
Photo of the unfinished second floor of Longwood plantation, showing plaster molds on the floor that were never installed.

Sloan sent northern workmen to execute his design in Natchez. When the Civil War broke out, they dropped their tools and hurried back to Pennsylvania, leaving Longwood’s wood and brick structure bare. The massive second floor rooms and soaring dome remain suspended in time, with building tools and shipping crates still lingering in corners. Before Nutt died of an illness in 1864, he managed to have a metal roof installed and the ground floor finished. Those few rooms remained the only living space for Julia and future generations until the family sold the house in 1968. Today the Pilgrimage Garden ClubOpens in new tab operates Longwood as a museum. The unfinished upstairs offers behind-the-scenes insight into Sloan’s design and construction process. It also stands as a stark reminder of the futile pride and ambition of the building nicknamed “Nutt’s Folly.”   

Photo of the second floor of Longwood Plantation shows brick walls that were never finished.
Photo of the second floor of Longwood Plantation shows the inside of the home's unfinished dome.

As with many plantations, new research has found more information about Longwood’s residents outside the mansion. In 1867, newspapers reported that crowds of formerly enslaved people marked the Fourth of July with a freedmen’s celebration in Natchez. Attendees came from miles around for speeches and a downtown parade leading to Longwood. One local newspaper observed “that there were not less than nine thousand people on the picnic grounds during the day.”  

A modern photo of Windsor Ruins, showing several giant columns that outlined the home.
Photo of the stairs from Windsor, reused by the local Oakwood University.

The Daniell family retained ownership of Windsor, but in 1890 it was destroyed by fire, likely from a guest’s cigar or cigarette ashes. Today its massive brick columns with their cast-iron Corinthian capitals remain as a ghostly outline of the mansion. The large cast-iron exterior staircases have been repurposed for the Oakland Memorial Chapel at nearby Alcorn State University, the oldest public historically Black land-grant institution in the United States.  

The Mississippi Department of Archives and HistoryOpens in new tab maintains the Windsor Ruins site, which is open to the public. Like Longwood, the Windsor Ruins give a unique perspective on building materials and the passage of time.  

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