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The Historic New Orleans Collection

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Stories from the Historic New Orleans Collection

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East Meets West

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Sun Wah Lung Company, with Big Gee and Lee Sing, in front of 1117 Tulane Avenue in 1937.

East Meets West

Over the course of a century, two iterations of Chinatown in New Orleans shaped the city’s landscape and culture.

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Moncacht-Apé and His Quest for Native History

Long before Lewis and Clark explored North America, one Indigenous wayfarer crossed the continent—twice—in search of his people’s roots.

A vibrant watercolor painting depicts a small ship carrying Vietnamese refugees to America in rough seas.

Fleeing Theu Freedom

The story of a grandmother’s escape from South Vietnam won third place in HNOC’s 2025 Student Writing Contest.

A vintage black and white photograph shows Vietnamese girls wearing veils between 1981–83.

Once a War Ends, Does It Really Ever End Within You?

A poetic meditation on the enduring scars of war took top honors in HNOC’s 2025 Student Writing Contest.

A boy in white lay garments leads a church procession down the street, followed by other boys in white lay garments wearing crucifixes and holding chalices.

From the French Quarter to the Vatican

Shortly after Robert Francis Prevost was announced as the first American pope, HNOC’s Jari C. Honora uncovered a surprising New Orleans connection, revealing the pontiff’s maternal grandparents to be Creoles of color from the Seventh Ward. 

A vintage black and white photo shows a bustling market scene from above, with hundreds of people buying and selling goods. A river can be seen in the background.

Leap of Faith

Fifty years after the fall of Saigon, a new exhibition tells the story of a community’s rise out of tragedy.

A woman in an 18th-century dress stands with a soft smile, holding a flower. She wears a large hat with a feather and a ribbon. The background is dark, emphasizing her light-colored attire and the floral arrangement beside her.

Creole Chic

Along with food and music, fashion was used by Louisiana Creoles to declare and express their unique identity.

A black and white photo shows a group of people, including men, women, and children, sitting closely together on a bus. The individuals are smiling and appear to be sharing a joyful moment during their journey.

Coming to New Orleans, Part V

Two disasters, the fall of Saigon and Hurricane Katrina, spurred the two largest waves of immigrants to New Orleans in recent history. 

A vintage TACA International Airlines brochure featuring an illustration of a plane flying over a map, a woman in traditional attire, and a beach hotel. Text highlights flights to Mexico, Panama, Central America, and New Orleans.

Coming to New Orleans, Part IV

Thanks to the rise of the United Fruit Company and the city’s Catholic roots, New Orleans saw an increase in Hispanic residents during the first half of the 20th century.

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Cajuns & Creoles

A historical illustration depicts a group of men in suits and top hats standing against a wall, while a separate group of women in long dresses gathers nearby. A child with a dog stands in the foreground, and a sign reads Slave Depot.

Sally Miller or Salomé Müller?

An enslaved woman named Sally Miller went to the Louisiana Supreme Court to sue for her freedom. She won, then she was forgotten.

A detailed close-up of a painting showing the expressive eyes of a person. The skin tone is warm, and the eyebrows are dark and prominent. The person is looking slightly to the side, showcasing the artists skill in capturing emotion and detail.

Identity Theft

Nearly 35 years ago, a heedless conservator altered a rare portrait of a free woman of color. Now, it has been restored and is on view again—and this time, HNOC is telling the story. 

A vintage sepia-toned image shows a large group of people in historical costumes dancing in a circle outdoors. Spectators in period attire surround the dancers, with trees and a rustic wooden building in the background.

What’s the Difference Between Cajun and Creole—Or Is There One?

The answers are tied up in race, class, language, and, of course, history.

New Orleans Icons

A smiling person with curly hair, wearing a vibrant blue tank top, is surrounded by colorful balloons with various patterns, including stars and stripes, against a bright background.

Richard Simmons, New Orleans’s Hometown Hero

How a native son who grew up in the French Quarter sweated his way into the spotlight

A woman with long braided hair and a pink scarf smiles while gesturing indoors. She is surrounded by framed black-and-white photos on a dark wall.

Shades of Blanche

An experimental theater production sheds new light on one of Tennessee Williams’s most beloved characters.

A man in a white suit and hat leads a festive parade, holding a cigar and a card. Behind him, a band plays brass instruments, and a group of people, including a trombone player, follows in celebration. The atmosphere is lively and cheerful.

Danny Barker’s Folk Heroes

The jazzman was also a gifted writer and storyteller who put his own spin on the archetypes of African American folklore, from badmen and blues mamas to “day people and night people.” 

Carnival Chronicles

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DJ Soul Sister’s Personal Mardi Gras Playlist

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The Renaissance Man Who Changed Mardi Gras

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Carnival Couture

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North Side Skull and Bone Gang: “You Next!”

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The Defiance of New Orleans’s Black Debutante Tradition

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Krewe FAQ

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The Breadth of Carnival Artistry in Nine Photographs

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How to Catch Beads during Mardi Gras (No, Not That Way)

Publishing

HNOC Quarterly

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