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The Historic New Orleans Collection
A vintage portrait of three women with wavy dark hair and bright smiles. They are dressed in light-colored clothes and have rosy cheeks. They are styled in an elegant, classic manner against a softly blurred backdrop.

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By the mid-1920s vaudeville was at its peak. Tens of thousands of variety acts across the country composed the most ubiquitous form of popular entertainment of its time, when access to radio and recorded music was not as widespread. In New Orleans, the Orpheum Theatre was the premier vaudeville venue. The sisters performed there in 1925 and caught the attention of a vaudeville talent agency out of Chicago. They soon found themselves maintaining a grueling schedule and performing in towns they had never heard of across Arkansas, Oklahoma, and Texas.

With the establishment of the National Broadcasting Company (NBC) and the Columbia Broadcasting System (CBS) in the late 1920s, it became clear that radio was poised to take a big bite out of vaudeville’s market share. The Boswell Sisters, whose lively harmonies and interesting song interpretations made them exceptionally listenable, were at the vanguard of this transformation in the entertainment industry.

By 1929 the sisters were living in Los Angeles and had signed a contract with KNX, owned and operated by the Los Angeles Evening Express newspaper and broadcast from the Paramount Pictures studios. The Boswells contributed to sponsored variety programs such as The Navigator Hour and The Paramount Hour. In 1930 they signed with Warner Brothers Pictures’ station, KFWB, which would also play a role in the early careers of Bing Crosby, Ronald Reagan, and, later, the Beach Boys.

Though the Boswells’ biggest years of success lay ahead of them, their star was on the rise. They made several triumphant visits back to New Orleans and, in 1931, were named Louisiana’s official Ambassadors of Harmony by the governor, Huey P. Long.

Three women in 1930s attire are gathered around a piano, with one playing and the others singing. A man operates a microphone and camera, recording the scene. The background features a mural of a horse-drawn carriage.

In 1929, following a stint doing vaudeville in Chicago, the Boswell Sisters sought a new challenge in the bright lights of Hollywood. In Los Angeles they landed their first contract with a national radio station, NBC, as well as work in the movie business, dubbing music for films. Their time in California also marked their first meeting with Harry Leedy, who became their manager as well as Connie’s husband.

Though they had appeared with Bing Crosby on CBS radio during their time in California, it was not until June 1931 that the Boswell Sisters earned a contract with CBS, moving over from NBC. The sisters performed on CBS radio and television broadcasts while continuing to record with Brunswick.

A vintage legal contract on green paper for Pantages Circuit of Vaudeville Theaters, dated September 28, 1928. It details terms for a performance run from October 14-20, 1928, featuring artists Warde and the Three Bobs Pastors.

The girls’ father, A. C. Boswell, “didn’t believe too much in girls going out and working and traveling,” according to Connie. It wasn’t until 1928 that he relented, allowing the sisters to leave New Orleans for vaudeville work in Chicago. Among the variety-entertainment venues that hosted the Boswells during their time in the Windy City was the Lawndale Theatre, which opened in 1927 as a silent-film venue and was affiliated with the Pantages Circuit of Vaudeville Theatres.

A large crowd seated and standing in a spacious, indoor venue during the The Bowral Sisters Reception 1932. People are gathered in rows with additional seating on the upper balconies. The atmosphere appears formal and celebratory.

William A. Coker was actively involved with the Young Men’s Gymnastic Club (which became the New Orleans Athletic Club in 1929), eventually becoming its director of promotions. Coker was also a proponent of cultural events in New Orleans, and he took an interest in the career of the Boswell Sisters. Along with John Parham Werlein of the music store Philip Werlein Ltd., he was instrumental in facilitating the sisters’ first recording, made in 1925 for Victor. In October 1932, after they had achieved national success, the Boswell Sisters were nearing the end of a two-week visit home to New Orleans, and Coker arranged for them to appear at a program hosted by the New Orleans Athletic Club. It was attended by local notables, including then-mayor T. Semmes Walmsley.

A black-and-white photo of four people, two women standing on the left, a woman seated in the center, and a man standing on the right near a microphone. The man is handing a trophy to the seated woman. A large bouquet is in front of them.

In the spring and summer of 1932 the New York Daily Mirror ran a “Radio Popularity Contest,” printing ballots in the paper for fifty days before tallying the results. Radio columnist Nick Kenney announced the winners, which included Ruth Etting, Rudy Vallée and His Connecticut Yankees, Harry Richman, and the Boswell Sisters. At a July 13, 1932, presentation at the replica of Federal Hall in New York’s Bryant Park, the winners received silver loving cups from New York City Mayor James J. Walker.

A vintage silver trophy with two handles, engraved with Daily Mirror 1932 Radio Contest Award to Boswell Sisters Radios Foremost Harmony Crew. It stands on a black base.