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The Historic New Orleans Collection
Four women stand behind a table set with a tablecloth, glassware, and a candle holder. Three of them wear light-colored dresses with floral corsages, and one wears a dark dress with a white collar. They are smiling and posed for a photograph.

Advocating for All

Nineteenth-Century Women

The early nineteenth century in New Orleans was a period of economic prosperity and population growth. New Orleans became the largest, most prosperous city in the South, due in large part to its thriving slave market and port. The city grew rapidly with arrivals from other parts of the United States and from St. Domingue, Cuba, and Europe (mostly Ireland and Germany).

While many came to the city seeking opportunity, life in New Orleans carried many risks. Yellow fever outbreaks killed thousands and left many children orphaned. Unsafe labor conditions and poor sanitation also took their tolls on the city’s most vulnerable citizens.

Though early nineteenth-century women had little political or economic agency, they found ways to advocate for the underprivileged. As social-welfare activists, they provided education for orphans, slaves, and poor children; fought for child labor reform; cared for the elderly and infirm; and offered aid to the poor. Toward the end of the century, women began to move into the public sphere in increasing numbers. Lacking the right to vote, they sought alternative ways to effect social and political change. They formed associations through which they could lobby politicians and raise public awareness about social issues, such as education and prison and child labor reform. And as the woman suffrage movement gained momentum, their public voices grew louder. 

Sophie B. WrighT (1866–1912)

A black and white portrait of a person with an updo hairstyle and a slight smile. They are wearing a dress with a textured fabric and appear in a softly lit environment with a dark background.

Sophie B. Wright began her life’s work as an educator when she was only fourteen years old, opening a day school for girls in a spare room in her family home in 1880. Her career in education grew to include operating the Home Institute, a day and boarding school for girls. Within the institute’s facilities, she also operated a free night school for working men and boys.

In addition to her career in education, Wright worked as the state secretary for the King’s Daughters and Sons, a Christian charitable organization. It was in this role that Wright helped open the Home for Incurables, a care facility for disabled children in New Orleans, and the Rest Awhile, a retreat for underprivileged women and children in Mandeville.

In 1903 Wright was awarded the Daily Picayune’s Loving Cup, an award given annually to celebrate the philanthropic work of a local New Orleanian. Wright was the third person and first woman to receive the award. Shortly before her death in 1912, the Sophie B. Wright School, a high school for girls, was named in her honor. Following her death, a park on Magazine Street, near the former site of the Home Institute, was also named in her honor. A statue of her, sculpted by Enrique Alférez, was erected in the park, and an adjacent street was renamed Sophie Wright Place. 

A vintage sepia-toned photo of a group of young women and men posed outside, sitting and standing in two rows. The bottom of the photo reads Home Institute. First Year Class - 95. The border is aged with brown spots.
A handwritten letter dated June 8th, 1890, from New Orleans, addressed to Miss Sophie. The letter expresses gratitude for hospitality and is signed by multiple people, each followed by their respective school titles or affiliations.
A vintage letter typed on official letterhead from Home Institute, dated October 3, 1911, addressed to Miss A. Raymond. It expresses concern about her absence from school and wishes for her good health and strength.
A vintage newspaper page featuring an article titled Sophie B. Wright Dead: Saint of Common Weal with an oval portrait of a woman in the center. The page is yellowed, indicating its age, and theres a purple ribbon pinned next to the image.

Caroline E. Merrick (1825–1908)

Sepia-toned vintage photograph of a woman in a long, dark, Victorian-era dress. She is standing with one hand resting on a wooden chair, and the image is slightly faded with age.

An early women’s rights activist, Caroline Merrick was the daughter of a Louisiana planter and married a man more than twice her age when she was fifteen. After the Civil War, her family settled in New Orleans, where she became active in women’s clubs and social organizations and served on the board of St. Anna’s Asylum, a home for destitute women and children of all denominations. In 1878 her fervor for women’s rights was sparked when money a St. Anna’s resident had bequeathed to the institution went instead to the state, because the will had not been witnessed by a man.

In 1879 Merrick joined with other women’s rights activists and presented a petition to the Louisiana Constitutional Convention, demanding suffrage for women. Though the petition was unsuccessful, Merrick continued her activism in the woman suffrage movement, founding the Portia Club, the first suffrage organization in Louisiana, in 1892.

Merrick also became involved in the Woman’s Christian Temperance Union (WCTU). Though she was not a true believer in abstinence from alcohol, Merrick was drawn to the organization by her friendship with and respect for Frances Willard, the group’s leader from 1879 to 1898. Under Willard’s leadership, the WCTU’s national platform was expanded to include suffrage, labor laws, and prison reform, causes Merrick furthered when she served as the first president of both the New Orleans and the Louisiana branches. 

A vintage letter on Womans National Christian Temperance Union letterhead from 1883. The letter discusses temperance issues. The header features an illustration of a woman and an eagle, with handwritten notes visible in places.
Handwritten letter on National Woman Suffrage Association letterhead. The paper is aged, with cursive writing in ink. Its filled with personal correspondence discussing publishing and related topics, dated Sept. 3, 1885.
A vintage illustration of St. Annas Asylum in New Orleans, showing a large, classical building with columns and a small group of people in the foreground, surrounded by trees.

Henriette Delille (1812–1862)

A vintage portrait of a woman with short, dark hair. She is wearing earrings, a necklace with a cross, and a dark top with a white collar. The background is softly blurred, giving the image an old-fashioned look.

A free woman of color, Henriette Delille was the great-granddaughter of an emancipated slave. She found her calling in faith and charitable works. In an inscription left behind in one of her books, she professed in French, “I believe in God. I hope in God. I love. I wish to live and die for God.” Her dedication to that faith was manifested in 1836 when she founded the Sisters of the Presentation, an informal religious community for women of color.

Together with fellow free women of color Josephine Charles and Juliette Gaudin, Delille provided religious instruction to free and slave children, served as a sponsor for baptisms, and cared for orphans, the elderly, and the poor. Over time, the three women moved toward a more formal religious life, taking vows before Father Etienne Rousselon, vicar general of the Diocese of New Orleans, in 1852.

Today, the religious order of women of color that Delille established is known as the Sisters of the Holy Family. Since her death, the sisters have continued her work, caring for the sick and elderly and operating schools and orphanages. In 1988 the Catholic Church began the process of considering Henriette Delille for sainthood.

A bronze statue of a woman holding a baby and a book, while a child reaches up to touch the book. The woman wears an old-fashioned dress, and both the woman and the child stand on a circular base.

Margaret Haughery (1813–1882)

A vintage oval portrait photograph of a person with a neutral expression, encased in an ornate gold frame. The person is wearing a light-textured garment. The photo shows some signs of aging and damage.

The first twenty-five years in the life of the businesswoman and philanthropist Margaret Haughery were marked by tremendous personal suffering. Born into poverty in Ireland in 1813, Haughery immigrated with her parents and two of her five siblings to Baltimore at the age of five. By age nine, she was an orphan. At age twenty-one, she married, moved to New Orleans, and had a child. Both her husband and child died within the next two years.

Haughery stayed in New Orleans and worked as a laundress, donating her extra wages to the Sisters of Charity, who ran the Poydras Orphan Asylum. Eventually she began working for the Sisters of Charity and saved enough money to buy two cows to start a dairy. As the small dairy expanded and Haughery became increasingly successful, she acquired a bakery and, with her newfound wealth, helped finance the construction of orphanages such as St. Elizabeth’s Asylum, St. Teresa’s Asylum, and St. Vincent’s Asylum.

Haughery supported the orphanages for the rest of her life, and when she died, in 1882, she left her entire fortune to charity. Haughery’s incredible legacy is commemorated by a statue at the intersection of Camp and Prytania Streets, dedicated in 1884. The monument is one of the earliest statues honoring a woman to be placed on public land in the United States.

A black and white photo of a tall stone monument featuring a seated woman with a child at her side. The base of the monument has the name Margaret engraved on it. The monument is set on grass, with buildings visible in the background.
An old memorial card for Margaret, who died on February 9th, 1882. It includes an image of Margaret and several passages, including a biblical quote and reflections on her virtuous life, kindness, and legacy.
A historic brick building with ornate balconies and detailed ironwork features prominently in this black and white photo. It is flanked by palm trees and sits behind a wrought iron fence, with cobblestone street and utility poles in the foreground.
A group of toddlers and babies in white outfits sit and stand on a porch. Two women, one holding a baby, oversee the children. The porch has a wooden floor, brick wall, and slatted windows. Some children are seated in wooden chairs.

Eliza Jane Nicholson (1843–1896)

Sepia-toned vintage photograph of a young woman with long, curly hair. She gazes slightly to the left, wearing a choker and a light-colored dress. The background is plain, and the image has a worn, aged appearance.

Eliza Jane Nicholson bears the distinction of being the first woman in the United States to own a major newspaper. Born in 1843 near Pearlington, Mississippi, she enjoyed writing from a young age, and, against her family’s wishes, she eventually moved to New Orleans to pursue her dream of being a professional journalist. She became the literary editor of the Daily Picayune in 1870, where she wrote under the pseudonym Pearl Rivers.

Two years later, she married the owner of the newspaper, Alva Holbrook, and when he died, in 1876, she inherited it. The paper was in financial trouble, but under Nicholson’s management, it became profitable once again. She was an outspoken proponent of women in the workforce and equal pay. She hired and mentored other female journalists, most notably Elizabeth Meriwether Gilmer, the nationally syndicated advice columnist who went by the nom de plume Dorothy Dix.

Nicholson was involved in creating the Louisiana Society for the Prevention of Cruelty to Animals in 1884 and was a founding member of the Louisiana Society for the Prevention of Cruelty to Children, which was launched in 1892 and continues to operate today as the Children’s Bureau of New Orleans.

A silver dip pen with a gold ornate grip is displayed inside an open, deep purple velvet-lined case. The case is rectangular with metal clasps.
A woman in a Victorian-era dress stands beside a small round table with books. She wears a hat adorned with feathers and holds a fan. The backdrop is ornate with floral details and a decorative chair is partially visible.
A handwritten letter dated March 19th, 1886, on Forest and Stream Publishing Co. letterhead. Addressed to Mrs. J. Nicholson, it expresses gratitude for her recent note. The formal script is neat and elegant.
A brooch featuring a dried seahorse attached to a metal pin, set against a textured white background.

Kate Gordon (1861–1932)

97 44 L 6 detail web

Kate Gordon was a champion of progressive reforms in early twentieth-century New Orleans. She was a member of the Portia Club (the first suffrage organization in Louisiana) but found the group too conservative and singularly focused. In 1895 she broke off from the organization and founded the Equal Rights Association (ERA Club).

In addition to suffrage, the ERA Club advocated for child labor reform, adequate funding for the city’s efforts to provide flood control and clean water, the admittance of women to the Tulane University School of Medicine, the creation of a juvenile court, and the appointment of a female juvenile court officer. Gordon also served as the vice president and corresponding secretary of the National American Woman Suffrage Association.

She was not, however, uniformly invested in the rights of all women. Because she was adamantly opposed to the enfranchisement of African Americans, Gordon opposed amending the US Constitution to extend suffrage to women, fearing that federal oversight of voting rights would upset social order in the South. Instead, she advocated for amending individual state constitutions, a position that led her to found the Southern States’ Woman Suffrage Conference in 1913 and to actively campaign in opposition to the passage of the Nineteenth Amendment.

She was also a vocal advocate in the public health effort to control tuberculosis. In 1906 she organized the Louisiana Anti-Tuberculosis League, and later she managed the New Orleans Anti-Tuberculosis Hospital, located in the Gentilly neighborhood.    

A colorful stained glass window with various intricate patterns and depictions of people, animals, and text panels. The narrow, arched design features sections with medieval style art against a rich red background.

Jean Gordon (1865–1931)

A vintage photograph of a woman standing outdoors in front of a large bush. She wears a long dress and holds a hand fan. The photo has a sepia tone, evoking an early 20th-century style.

Jean Gordon was an advocate of social-welfare reform and a proponent of woman suffrage. As a member of the Equal Rights Association (ERA Club), she was a leader of child labor reform efforts in Louisiana. Her work led to the passage of the Child Labor Act of 1906, which provided for female factory inspectors; placed age restrictions on children engaged in manufacturing; provided for a sixty-hour workweek; and mandated safe stairways, the provision of bathroom facilities, and seating for female employees. Gordon became the state’s first female factory inspector, serving from 1906 through 1911.

In 1908 she helped to secure the passage of an act that prohibited the employment of children under fourteen. The following year she worked with Eleanor McMain to create the New Orleans Day Nursery at Kingsley House, which provided low-cost day care for many of the working mothers she encountered as a factory inspector.

Her work in the factories also led her to recognize the needs of children she classified as "feeble-minded." In 1919 she spearheaded the transformation of a local orphanage, the Alexander Milne Asylum for Destitute Orphan Girls, into an institution devoted specifically to girls with mental disabilities. At the newly named Alexander Milne Home School for Girls, disabled girls were provided housing, education, and job training through work at the small farm the home operated. Gordon served as the president of the home’s board as well as the superintendent, living on site at the Gentilly Road facility from 1925 until her death.

Her approach to disability was not without controversy. A follower of the eugenics movement, she firmly believed in preventing the home’s residents from reproducing and was an active promoter of sterilization laws, which never came to fruition. For her work at the Milne Home School and her advocacy for the underprivileged, she was awarded the 1921 Times-Picayune Loving Cup. In 1958 a public elementary school was named in her honor. 

A vintage photo of a group of women and children gathered in front of a large house with a porch. Some are seated while others stand on the grass, wearing period clothing. The scene appears candid and informal.
A black and white photo of a group of children, mostly boys, wearing early 20th-century work clothes. They stand closely together in front of a brick building, some holding hats. The children appear to be of various ages.

Sylvanie Williams (1855–1921)

A vintage black and white photograph of a woman in a formal pose, her hair styled in an updo. The image is oval-shaped and surrounded by decorative elements. She is looking to the left and wears a dark outfit with a floral brooch.

As a middle-class African American in New Orleans during Reconstruction, Sylvanie Francoz Williams witnessed the struggles that black people faced in fighting for their rights and livelihoods. She especially empathized with African American women and worked to support them.

Williams was a graduate of the Peabody Normal School, an academy dedicated to preparing African Americans to teach in public schools, and she later served as the Peabody’s principal and only teacher. In 1896 Williams became the first principal of the Thomy Lafon School, continuing in that role until 1921, when she retired shortly before her death. She faced tremendous adversity when the school was destroyed by fire during a race riot in 1900, but under her leadership, the school was rebuilt six years later in a different location.

As founder and president of the local Phillis Wheatley Club, which was affiliated with the National Association of Colored Women (NACW), she steered the club’s 1896 opening of a nursing school for young black women, which included a free medical clinic. In 1901, the club established a kindergarten and day care program for working women. At a time when black women were being excluded from the larger suffrage movement, Williams and the Phillis Wheatley Club advocated for African American women’s right to vote.

An active member of the NACW, Williams served as an officer of the organization and fought unsuccessfully for its inclusion in the National Council of Women. In 1915 she led a campaign that funded the first public playground for African American children in New Orleans. Following her death, her legacy of public service was commemorated by the naming of a community service organization, a swimming pool, and an elementary school in her honor.

A sepia-toned photograph of a school faculty group from 1913. The large group of men and women is posing outdoors in front of trees. Handwritten notes below identify the photo as Faculty of Tuskegee Institute School along with several names.
An upside-down program cover for the dedication of Sylvanie F. Williams Elementary School on March 24, 1971, featuring a black-and-white photo of the school building with a flagpole, and a list of school board members at the top.
A large, two-story wooden building with numerous windows sits on a dirt-covered corner, surrounded by utility poles and wires. The scene is industrial and devoid of vegetation. The sky is overcast.

Eleanor McMain (1868–1934)

A portrait of an older woman with short, wavy gray hair. She wears a dark dress with a white lace collar and gazes softly at the viewer. The background is a muted, dark color, giving the image a classic, vintage feel.

Eleanor McMain began her career as a teacher and operator of a private school in her native Baton Rouge before moving to New Orleans to train with the Episcopal Church’s Free Kindergarten Association. Through her participation with that program, she formed an association with Kingsley House, a settlement house in the Irish Channel. Settlement houses were a late-nineteenth-century development that began in London. Located in poor, urban neighborhoods, they attracted educated middle- and upper-income residents (settlers) to live in the houses and provide education and social services to the surrounding community.

By 1901 McMain was appointed head resident of Kingsley House, a position she would hold for more than thirty years. Her work included the provision of many services—free kindergarten, playgrounds, social clubs, classes, a grocery cooperative, health and hygiene services, and a low-cost day care for working mothers. While serving at Kingsley House, McMain made two trips to Chicago to study and work at Jane Addams’s Hull House, a thriving settlement house in the Near West Side of Chicago. Following one of those trips, she founded the Southern School of Social Science and Public Service, which would eventually become the Tulane School of Social Work.

She also founded the Central Council of Social Agencies of New Orleans, a group devoted to streamlining the delivery of social services and encouraging long-term planning among its member agencies. She served as the first president of the Woman’s League of New Orleans, which brought together progressive reformers throughout the city. In 1932 a public high school for girls was named in her honor.

A vintage newspaper clipping featuring three women sitting together in front of a brick wall, dated 1932. The article headings discuss various social topics, including honoring individuals and naming a school after Eleanor V. Main.
Blueprint of a large two-story building with columns at the entrance and multiple windows. The text Day Nursery is visible below the drawing. The image has a blue background with white outlines.
A tall, silver trophy with handles and inscriptions on its front, set against a plain gray background. The trophy has an elongated, elegant shape with a solid base.