Skip to content
The Historic New Orleans Collection
View of a Cuban folk dance where a man dances among women wearing floor length dresses and holding tamborines.
27th Annual Bill Russell Lecture

Syncopated Siblings

The Music of Cuba and New Orleans

April 15, 2026, 6–7:30 p.m.

Williams Research Center, 410 Chartres Street

For the 27th annual Bill Russell Lecture, HNOC will explore the deep musical and cultural connections between Cuba and New Orleans. Blending lecture, performance, and conversation, “Syncopated Siblings” will examine how factors of place, identity, migration, and cultural exchange have impacted the sonic identities of both regions.

View of a what appears to be a night time procession showing a group of percussionists, mostly drummers.

Music historian, producer, and author Ned Sublette will be joined in dialogue with CUBANEXION, a supergroup of renowned musicians led by legendary percussionist Bill Summers. Together, they will guide the audience through a musical journey that illustrates the incredible cultural legacy by Cuba and New Orleans.

Admission is $10 for the general public and free for HNOC members.

Artists & Speakers

Photo of Bill Summers surrounded by percussion instruments.

Bill Summers

Percussionist
Read More
Sublette 2

Ned Sublette

Filmmaker, author and music historian
Read More

Support

The Derbes Foundation
Galvez Rum
Rhoot Man Beverage Company
Signature Program

Bill Russell Lecture

Related Program

Film

“Tierra Sagrada” Film Screening and Q&A

April 16, 2026, 2–4:30 p.m.

Related Stories

View More
First Draft

Tremé’s Homegrown Historian

First Draft

’Tis the Season . . . for Louisiana Holiday Music

Related Collection Highlights

View More
Black and white portrait of Leigh Harris with short hair, resting their head on their hand. They are looking directly at the camera, wearing a dark top and a hoop earring. The background is split into light and dark sections.

Leigh “Little Queenie” Harris Collection

A new collection documents the career of a “little” woman who made a big impact on New Orleans music.

A vintage 78 RPM record with a red label in a brown paper sleeve. The label reads The Fat Man by Fats Domino and Imperial Records is printed at the top in red letters. The sleeve features a decorative design and Hollywood, California address.

The Fat Man / Detroit City Blues

Fats Domino’s first single, produced in New Orleans, is considered one of the first rock ’n’ roll songs in history. 

A big band ensemble in formal attire is performing on stage. Musicians are playing instruments like saxophones, trumpets, and a drum set. A conductor stands to the side. The backdrop is a warm, orange hue.

Jimmy Maxwell Orchestra Papers

Photographs, diaries, and promotional materials documenting a father and son’s 80 combined years in the music business

Related Virtual Exhibitions

View More
A vintage portrait of three women with wavy dark hair and bright smiles. They are dressed in light-colored clothes and have rosy cheeks. They are styled in an elegant, classic manner against a softly blurred backdrop.
Jazz

Shout, Sister, Shout!: The Boswell Sisters of New Orleans

Explore the musical legacy of New Orleans’s own Boswell Sisters, who where among the first stars of radio’s golden age.

A vintage black and white photo of a jazz band with various members, including musicians holding instruments like trumpets and drums. A sign reads Music Furnished by the Original Tuxedo Jazz Band. A group of people gather around, some seated on grass.
Jazz

New Orleans Medley: Sounds of the City

The music of New Orleans is the living product of dynamic cultural interactions played out over centuries in this diverse southern port city. 

Related Books

View More
Cover of a musical album titled French Baroque Music of New Orleans: Spiritual Songs from the Ursuline Convent (1736). The background is dark brown with a vintage texture, and the text is in white, aligned centrally.

French Baroque Music of New Orleans

edited by Alfred E. Lemmon
with essays in English by Jennifer Gipson, Andrew Justice, Alfred E. Lemmon, and Mark McKnight, and in French by Jean Duron

Stay Connected

Subscribe to Our Newsletter

2000 78 8 1 o3