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The Historic New Orleans Collection
A brass band performing in front of an old, detailed map. The musicians are wearing white shirts, dark trousers, and hats. The lead trumpet player stands in the foreground, energetically playing his instrument.

Bill Russell Lecture

Part concert, part lecture, this annual event blends history and music to appreciate sounds from the past and the people who made them.

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About the Bill Russell Lecture

An elderly man sits in a room surrounded by violins, adjusting the strings of a violin in his hands. Sheet music and a tapestry depicting a classical scene are visible in the background. The setting is dimly lit, creating a serene and focused atmosphere.

The William Russell Jazz Collection

Past Lectures

Wednesday
6–7:30 p.m.
27th Annual Bill Russell Lecture
Hear the shared musical legacy of Cuba and New Orleans in this lecture and concert featuring author and historian Ned Sublette, joined by legendary percussionist Bill Summers and his supergroup, CUBANEXION.
Signature Program, Lecture, Concert
Tuesday
6–8:30 p.m.
26th Annual Bill Russell Lecture
The 26th annual Bill Russell Lecture returns with an exploration of women’s musicianship and history at Preservation Hall.
Signature Program, Lecture, Concert
Wednesday
6–7 p.m.
25th Annual Bill Russell Lecture
An exploration of musical mentorships featuring the New Orleans–based music and arts collective Alluvium Ensemble, with remarks by composer Roger Dickerson.
Signature Program, Lecture, Concert
Wednesday
6–7 p.m.
24th Annual Bill Russell Lecture
A conversation about the history of the banjo, an instrument that embodies the centuries-old cultural exchange between New Orleans and the Caribbean.
Signature Program, Lecture, Concert
Wednesday
6–7 p.m.
23rd Annual Bill Russell Lecture
With a career spanning 40 years, Mahalia Jackson is widely considered one of the most influential vocalists of the 20th century.
Signature Program, Lecture, Concert

2016

100 Years of New Orleans String Bands (1849–1949)
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2015

The Golden Age of New Orleans Brass Bands
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2014

The Boswell Sisters: Pioneers of American Popular Music, 2014
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2013

Scenes from “Treemonisha,” 2013
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2012

Reflections of Bechet, a New Orleans Jazz Original: The Man and the Music
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2011

Ragtime’s Roots and Revival: How a New Orleans–Based Orchestra Gave New Life to the Works of Early Ragtime Composers
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2010

The Musical Legacy of George Lewis
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2009

Louis Armstrong’s New Orleans
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2008

Jazz on the Mississippi to 1945
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2007

Les Amis du Jazz: William Russell, Fred Ramsey, Hugues Panassié, Charles Delaunay, and the Revival of New Orleans Jazz, 1938–1949
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2006

The Soul of a Jazzman: Jelly Roll Morton’s Last Years
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2005

Celebrating a Jazz Master’s Centennial
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2004

God’s Music: Shall We Gather at the River
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2003

“Old New Orleans Blues”: Bill Russell and “Fess” Manetta
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2002

Jelly Roll Morton’s Piano Music: The Known and Unknown
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2001

Drumming New Orleans Style
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2000

Millennial Reflections on the Impact of Jelly Roll Morton
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A jazz band performs on stage with four musicians. One plays the clarinet while standing, and the others sit holding instruments. Behind them are large framed paintings. An audience watches in front of the stage.

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Economy Hall, the “Carnegie Hall of Jazz”

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A vintage photograph of Kid Ory, taken in 1917. He wears a dark suit and hat and carries a trombone case.

Edward “Kid” Ory Papers

Ory and his trombone helped shape jazz from the 1920s onward. His papers include photographs, correspondence, sheet music, instruments, and more.

A man in a suit and bowtie is playing a drum set with a focused expression. The background is plain and the image is in black and white.

John E. Kuhlman Collection

For decades, studio photographer John E. Kuhlman spent his free time taking pictures of jazz musicians. HNOC is now home to that part of his archive.

A vintage sheet music cover titled The Mysterious Axmans Jazz (Dont Scare Me Papa). It shows a chaotic scene with musicians playing and a startled woman at a piano. Two inset portraits are at the bottom.

The Mysterious Axman’s Jazz

At the turn of the 20th century, a music-loving serial killer proclaimed that only jazz lovers would be safe from his reign of terror.

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