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The Historic New Orleans Collection

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Stories from the Historic New Orleans Collection

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Moncacht-Apé and His Quest for Native History

Long before Lewis and Clark explored North America, one Indigenous wayfarer crossed the continent—twice—in search of his people’s roots.

Sells Brothers seals

How the Circus Helped Define Childhood, and Vice Versa

For a long time, the circus was no place for children. With the rise of mass manufacturing in the late 19th century and new ideas about childhood, that changed.

Illustration from the April 1959 issue of "Galaxy Magazine." The image shows a collection of creatures and aliens gathered around a round table playing cards.

Daniel F. Galouye’s Fantastic Sci-Fi Future

Long before Black Mirror and Severance, science fiction magazines were a potent way to channel modern anxieties into entertainment media. One New Orleans writer became a leading world builder of weirdness.

Close up view of a blue velvet bodice, designed by Madame Grignon. A row of buttons can be seen to the right of a center part in the fabric.

A Blue Velvet Bodice and the Darkness Behind a Dream

A researcher draws connections between a 19th-century bodice and David Lynch’s iconic 1986 film, Blue Velvet.

A photo of the Superdome under construction shows a shaft of light shining through a hole at the top of the Dome onto the field below.

How the Superdome Became a Louisiana Landmark

Nathaniel Curtis Jr. designed the stadium to be a modern counterpart to the great domes of the world.

Close-up of a vintage garment with a red paisley pattern on fabric. The clothing includes detailed scalloped edges and gathered fabric on the sleeve, revealing a brown interior lining and an off-white inner material.

Threads of Motherhood

The clever construction of a maternity dress offers an intimate glimpse into 19th-century motherhood.

A woman in an 18th-century dress stands with a soft smile, holding a flower. She wears a large hat with a feather and a ribbon. The background is dark, emphasizing her light-colored attire and the floral arrangement beside her.

Creole Chic

Along with food and music, fashion was used by Louisiana Creoles to declare and express their unique identity.

A vintage TACA International Airlines brochure featuring an illustration of a plane flying over a map, a woman in traditional attire, and a beach hotel. Text highlights flights to Mexico, Panama, Central America, and New Orleans.

Coming to New Orleans, Part IV

Thanks to the rise of the United Fruit Company and the city’s Catholic roots, New Orleans saw an increase in Hispanic residents during the first half of the 20th century.

A sepia-toned photograph depicting a group of men in formal attire and top hats, standing in a line. They seem to be at a formal event, with American flags displayed prominently. A large ship and industrial buildings are visible in the background.

A Parade of Presidents

HNOC’s holdings shed light on moments when New Orleans welcomed America’s Commander-in-Chief.

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Cajuns & Creoles

A historical illustration depicts a group of men in suits and top hats standing against a wall, while a separate group of women in long dresses gathers nearby. A child with a dog stands in the foreground, and a sign reads Slave Depot.

Sally Miller or Salomé Müller?

An enslaved woman named Sally Miller went to the Louisiana Supreme Court to sue for her freedom. She won, then she was forgotten.

A detailed close-up of a painting showing the expressive eyes of a person. The skin tone is warm, and the eyebrows are dark and prominent. The person is looking slightly to the side, showcasing the artists skill in capturing emotion and detail.

Identity Theft

Nearly 35 years ago, a heedless conservator altered a rare portrait of a free woman of color. Now, it has been restored and is on view again—and this time, HNOC is telling the story. 

A vintage sepia-toned image shows a large group of people in historical costumes dancing in a circle outdoors. Spectators in period attire surround the dancers, with trees and a rustic wooden building in the background.

What’s the Difference Between Cajun and Creole—Or Is There One?

The answers are tied up in race, class, language, and, of course, history.

New Orleans Icons

A smiling person with curly hair, wearing a vibrant blue tank top, is surrounded by colorful balloons with various patterns, including stars and stripes, against a bright background.

Richard Simmons, New Orleans’s Hometown Hero

How a native son who grew up in the French Quarter sweated his way into the spotlight

A woman with long braided hair and a pink scarf smiles while gesturing indoors. She is surrounded by framed black-and-white photos on a dark wall.

Shades of Blanche

An experimental theater production sheds new light on one of Tennessee Williams’s most beloved characters.

A man in a white suit and hat leads a festive parade, holding a cigar and a card. Behind him, a band plays brass instruments, and a group of people, including a trombone player, follows in celebration. The atmosphere is lively and cheerful.

Danny Barker’s Folk Heroes

The jazzman was also a gifted writer and storyteller who put his own spin on the archetypes of African American folklore, from badmen and blues mamas to “day people and night people.” 

Carnival Chronicles

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DJ Soul Sister’s Personal Mardi Gras Playlist

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The Renaissance Man Who Changed Mardi Gras

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Carnival Couture

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North Side Skull and Bone Gang: “You Next!”

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The Defiance of New Orleans’s Black Debutante Tradition

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Krewe FAQ

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The Breadth of Carnival Artistry in Nine Photographs

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How to Catch Beads during Mardi Gras (No, Not That Way)

Publishing

HNOC Quarterly

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