Skip to content
The Historic New Orleans Collection
A screenshot from a vintage color film shows part of a ship with the name "VERNON C. BAIN" written on the side.

Vernon C. Bain Christening Ceremony Video

When New York City’s war on drugs sent incarceration rates soaring, officials commissioned a floating jail built and christened downriver from New Orleans.

1992; digital moving images
gift of René P. Meric Jr. and Philip J. Meric, 2023.0153

The use of maritime jails and prisons dates to at least the mid-18th century, when the British converted unseaworthy hulks into internment spaces for prisoners of war. In the United States, such vessels primarily functioned in peacetime as a low-cost alternative for relieving overcrowded civilian jails and prisons, most significantly in New York City during the crack epidemic of the 1980s. To deal with soaring incarceration rates, the city converted two Staten Island ferries and two British navy barracks barges into floating carceral facilities, providing the New York City Department of Correction over 1,000 additional beds. Then-Mayor Edward Koch saw the decision as a workaround to avoid building more jails and prisons in heavily populated neighborhoods. 

A screenshot from vintage footage of the Vernon C. Bain prison ship shows a  massive, hulking, boxy barge in the middle of a body of water, surrounded by smaller ships.

Despite declining incarceration rates by the decade’s end, the city subsequently ordered another, even larger vessel, announcing in March 1989 that it had awarded the $125 million contract for its construction to Louisiana’s Avondale Industries shipyard. This video documents the christening of the Vernon C. Bain, held at the Avondale shipyard on January 8, 1992. The donation of the video was facilitated by visual artist Sean Vegezzi. The recording opens with a shot of the event’s program overlaid with woodwinds and brass playing “America the Beautiful,” followed by “Dixie.” After introductions by Avondale Corporate Vice President René P. Meric, remarks from New York City Department of Correction Assistant Commissioner John Shanahan precede an intense moment where the hulking facility is lowered into the Mississippi River to be towed the 1,800 nautical miles to its new home.  

When the five-story, 47,326-ton barge arrived in New York Harbor later that month, it was $35 million over budget and 18 months overdue. Named for a late Rikers Island warden, the Vernon C. Bain was moored in the East River off Hunts Point in the South Bronx. The ship’s facilities included a chapel, library, dining hall, and clinic as well as a caged outdoor recreational area on its top deck. At 625 feet long and 125 feet wide, it contained dormitories for 700 people and 100 cells. Dubbed the “Louisiana Purchase” by one local, the massive blue-and-white prison barge was quickly considered an unsightly financial boondoggle. 

The ship closed briefly in 1995 before reopening as a juvenile detention center, then finally as a standard intake and processing facility for adults. A sobering landmark of New York City’s role in the era of mass incarceration, the Vernon C. Bain remained the United States’s last prison ship when it closed permanently in November 2023.

April 4, 2025

More From Our Holdings

Research

Collection Highlights

Related Stories

View More
First Draft

Inside Angola’s Prison Newspaper, the ‘Angolite’

First Draft

Processing Hope and Loss in the Prison Portraits of “One Big Self”

Related Collection Highlights

View More
A vintage sheet music cover titled The Mysterious Axmans Jazz (Dont Scare Me Papa). It shows a chaotic scene with musicians playing and a startled woman at a piano. Two inset portraits are at the bottom.

The Mysterious Axman’s Jazz

At the turn of the 20th century, a music-loving serial killer proclaimed that only jazz lovers would be safe from his reign of terror.

The cover of the newspaper "Hospital Banner" from August of 1955.

Hospital Banner Newsletters

An unusual periodical, written and produced by residents of the state mental hospital in the mid-20th century

The death notice for John Ward Gurley, dated 1808. The notice in the middle is surrounded with drawings depicting a skull and crossbones, funerial trees, a coffin, and broken column.

Death Notice for John Ward Gurley 

One hot-headed young upstart in early 19th-century Louisiana found his way onto the dueling field, where the odds were not in his favor.

Related Exhibitions

View More
Exhibitions

Captive State: Louisiana and the Making of Mass Incarceration

July 19, 2024 to February 16, 2025

Related News

View More
Exhibit wall with a blue panel stating, The institutions of slavery and mass incarceration are historically linked. A section titled CAPTIVE STATE features text and a colorful quilt with nature and wildlife motifs displayed on the right.
Press Release

HNOC Announces Extension of Exhibition Examining Incarceration in Louisiana

November 13, 2024
“Captive State” will be on view through February 16, 2025
Exhibit wall with a blue panel stating, The institutions of slavery and mass incarceration are historically linked. A section titled CAPTIVE STATE features text and a colorful quilt with nature and wildlife motifs displayed on the right.
Press Release

“Captive State” Named Museum Exhibition of the Year by Louisiana Endowment for the Humanities

January 15, 2026
HNOC joins eight other Bright Lights Awards recipients that were recognized for their significant contributions to the understanding of Louisiana’s history and culture in the humanities field.
A tour guide gestures towards an exhibition display at HNOC.
Announcement

“Captive State” Book: Upcoming Local and Regional Literary Events

September 17, 2025
Explore opportunities to learn more about HNOC’s latest publication at upcoming community events.
Stay Connected

Subscribe to Our Newsletter

2015 0364 51 o6