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A small, one-story building with three green doors and shutters, located on a quiet street. The building has a simple, sloped roof and is flanked by brick structures. The scene is lit by bright sunlight under a clear blue sky.
726–28 Toulouse Street

Creole Cottage

Creole cottage with dependency, built ca. 1835

This is a typical example of one of the French Quarter’s most dominant architectural styles, the Creole cottage. This cottage follows the standard floor plan of four rooms situated around a central chimney. It was used as a rental property, cigar shop, bar, art gallery, and workshop. 

Timeline

A black and white architectural blueprint featuring detailed drawings and handwritten notes. The design includes plans for several rooms and measurements. The names Green Street and Thomas Kershaw are visible.

1846: Louise Hardy de Boisblanc purchases 726–28 Toulouse and rents it out as a duplex. Three years later, she leaves it to her daughter, Adele Hardy de Boisblanc, the fourth consecutive female owner of the property.  

Black and white portrait of an older man in a suit and bow tie. His hair is combed back, and he has a neutral expression. Below the image is the text Thomy Lafon.
A vintage black-and-white image of a small, wooden house with a steep, shingled roof and a central chimney. Three doors with shutters are visible on the front, and two small steps lead up to the porch. The house sits on a cobblestone street.

1958: John Amos McFarlane, better known as Candy Lee, lives in the rear dependency at 728 ½ Toulouse and works as a bartender at neighboring Tony Bacino’s Bar. Bacino’s is a center of the French Quarter gay community at a time when homosexual activity was illegal, and Candy Lee is arrested for being a person of “lewd character” so many times she eventually takes the police to civil court for a restraining order. 

Hand-drawn poster featuring a person with curly hair promoting Rent-A-Hippie Guided Tour. Includes playful text: For an exciting introduction to the French Quarter, and contact details for Stark Realités in New Orleans.

1989: HNOC purchases the Creole cottage from Thomy Lafon’s estate. An archaeological dig under the house finds evidence of early French colonial military barracks. The cottage is used as a workshop for HNOC’s preparation and maintenance departments. 

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