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The Historic New Orleans Collection
HNOC in the News

Forbes: HNOC Explores Human Tragedy of Mass Incarceration in Louisiana

September 23, 2024

A woman in a red dress looks at an exhibit wall displaying information and images about the rise of mass incarceration in the United States. A graph on the wall shows historical incarceration rates and trends.
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Exhibitions

Captive State: Louisiana and the Making of Mass Incarceration

July 19, 2024 to February 16, 2025

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Books

Captive State: Louisiana and the Making of Mass Incarceration

CAPTIVE STATE cover

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First Draft

Death on Display

First Draft

Processing Hope and Loss in the Prison Portraits of “One Big Self”

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A screenshot from a vintage color film shows part of a ship with the name "VERNON C. BAIN" written on the side.

“Vernon C. Bain” Christening Ceremony Video

When New York City’s war on drugs sent incarceration rates soaring, officials commissioned a floating jail built and christened downriver from New Orleans.

The cover of the newspaper "Hospital Banner" from August of 1955.

Hospital Banner Newsletters

An unusual periodical, written and produced by residents of the state mental hospital in the mid-20th century

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Two men are observing an exhibit in a museum. One holds a book while explaining something. Behind them are informational panels and photographs. Text overlays mention a display through January 19, 2025, at 520 Royal St., sponsored by the Historic New Orleans Collection.
HNOC in the News

WWL-TV: Inside a New Exhibit on Mass Incarceration

October 25, 2024
WWL-TV's Great Day Louisiana visited HNOC's new exhibition about the history of mass incarceration in Louisiana.
A historical museum exhibit features a large black-and-white photograph of an old prison building. In front, there is a wooden stock used for restraining prisoners, with openings for neck and wrists. The quote on the photo describes the harsh prison conditions.
HNOC in the News

Louisiana Weekly: HNOC Receives LEH Award for Louisiana Mass Incarceration Exhibit

January 29, 2026
Officials praised “Captive State” for addressing a difficult and often polarizing subject with scholarly depth while remaining accessible to a broad audience.
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