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Photograph of a convict built replica of an electric chair dubbed "Old Sparky"

Death on Display

Louisiana’s travelling electric chair, and the shift from public to private executions

French Market coffee stand, between 1885 and 1900.

Murder Before Breakfast: The French Market Killing That Shook New Orleans

Coffee maven Rose Nicaud declared that “everybody takes coffee at my stand,” regardless of race. After a man was shot near her stand, she entered the roiling Reconstruction-era debate over the limits of integration.

A black-and-white photo of a man wearing a fedora and holding a shotgun standing at the edge of a porch, silhouetted against the porch light behind him.

Louisiana v. Voting Rights, Then and Now

With a Louisiana redistricting case on the Supreme Court’s 2025–26 docket, the Voting Rights Act is once again under scrutiny. It’s not the first time Louisiana has tested the boundaries of the franchise.

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Beyond Nottoway

The mansion at Nottoway Plantation burned to the ground, but related sites survive across the South.

A black and white photo shows Freedom Riders Julia Aaron Humbles and David Dennis sitting near two armed National Guardsmen on a bus from Montgomery, Alabama to Jackson, Mississippi in May of 1961.

Into the Heart of the Beast

As the 1961 Freedom Rides transfixed the nation, New Orleans civil rights activists played a crucial role.

A boy in white lay garments leads a church procession down the street, followed by other boys in white lay garments wearing crucifixes and holding chalices.

From the French Quarter to the Vatican

Shortly after Robert Francis Prevost was announced as the first American pope, HNOC’s Jari C. Honora uncovered a surprising New Orleans connection, revealing the pontiff’s maternal grandparents to be Creoles of color from the Seventh Ward. 

A vintage sepia-tone photograph shows a nun interacting with two adolescent girls, circa 1930.

Reading Between the Lines of the Ursulines Nuns’ Prayer Books

The Ursulines brought education and health care to New Orleans, but they also helped to build and enforce Louisiana’s nascent racial caste system. 

A sepia tone photograph shows a young incarcerated black man looking into the distance. He is wearing a beanie hat and is draped in an American flag.

Processing Hope and Loss in the Prison Portraits of “One Big Self”

Deborah Luster’s portrait series, taken inside prisons across Louisiana, confronts viewers with the human lives at stake in the incarceration capital of the world.

A diverse group of people on stage for a panel discussion titled “Poetic Reflections on ‘Captive State: Louisiana and the Making of Mass Incarceration.’” One speaker stands at a podium while others are seated.

Poets Respond to “Captive State” in Verse

Nine Louisiana poets visited the landmark exhibition on the history of incarceration and created original work based on their experiences.

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Cajuns & Creoles

A historical illustration depicts a group of men in suits and top hats standing against a wall, while a separate group of women in long dresses gathers nearby. A child with a dog stands in the foreground, and a sign reads Slave Depot.

Sally Miller or Salomé Müller?

An enslaved woman named Sally Miller went to the Louisiana Supreme Court to sue for her freedom. She won, then she was forgotten.

A detailed close-up of a painting showing the expressive eyes of a person. The skin tone is warm, and the eyebrows are dark and prominent. The person is looking slightly to the side, showcasing the artists skill in capturing emotion and detail.

Identity Theft

Nearly 35 years ago, a heedless conservator altered a rare portrait of a free woman of color. Now, it has been restored and is on view again—and this time, HNOC is telling the story. 

A vintage sepia-toned image shows a large group of people in historical costumes dancing in a circle outdoors. Spectators in period attire surround the dancers, with trees and a rustic wooden building in the background.

What’s the Difference Between Cajun and Creole—Or Is There One?

The answers are tied up in race, class, language, and, of course, history.

New Orleans Icons

A smiling person with curly hair, wearing a vibrant blue tank top, is surrounded by colorful balloons with various patterns, including stars and stripes, against a bright background.

Richard Simmons, New Orleans’s Hometown Hero

How a native son who grew up in the French Quarter sweated his way into the spotlight

A woman with long braided hair and a pink scarf smiles while gesturing indoors. She is surrounded by framed black-and-white photos on a dark wall.

Shades of Blanche

An experimental theater production sheds new light on one of Tennessee Williams’s most beloved characters.

A man in a white suit and hat leads a festive parade, holding a cigar and a card. Behind him, a band plays brass instruments, and a group of people, including a trombone player, follows in celebration. The atmosphere is lively and cheerful.

Danny Barker’s Folk Heroes

The jazzman was also a gifted writer and storyteller who put his own spin on the archetypes of African American folklore, from badmen and blues mamas to “day people and night people.” 

Carnival Chronicles

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DJ Soul Sister’s Personal Mardi Gras Playlist

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The Renaissance Man Who Changed Mardi Gras

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Carnival Couture

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North Side Skull and Bone Gang: “You Next!”

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The Defiance of New Orleans’s Black Debutante Tradition

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Krewe FAQ

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The Breadth of Carnival Artistry in Nine Photographs

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How to Catch Beads during Mardi Gras (No, Not That Way)

Publishing

HNOC Quarterly

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